Over the kitchen table: British storytelling as working-class art, belonging and resistance
This article introduces a contemporary art and storytelling project that took place in January 2024 in Bestwood Village, an ex-coal community, showing a televised play filmed in the village (1963) written by Dennis Potter, Stand Up, Nigel Barton , about the son of a coal miner gaining a place at Oxford University during this period of social change. The project and the article show that the art of working-class storytelling is both political and personal, and despite the lack of working-class voices in the arts, in the culture industries and in academia, small storytelling events such as this one play an important part in strengthening working-class communities.
Authors
- Lisa Mckenzie (ORCID: https://orcid.org/0000-0002-7431-6767)
Publication Details
- Journal
- Journal of Class & Culture
- Published
- 2024-10-01
- DOI
- https://doi.org/10.1386/jclc_00043_1
- Primary Topic
- Theatre and Performance Studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00