Transitioning through drawing

‘Transitioning through drawing’ is a series of works on paper that explore the value and role of drawing to alleviate the emotional distress and isolation experienced by people experiencing illness, while also facilitating opportunities for contemplation and inquiry into the clinical procedures through an aesthetic lens. This series reflects a practice-led enquiry that stemmed from the artist’s exploration of various forms of drawing within their creative practices. Drawing experiments included marks made by oil paint across water and movements of the body on an inked glass surface, both of which created imprints on large sheets of paper. These marbled surfaces and body monoprints became the foundation for further additions, including forms, surface marks and textures. The phenomenological nature of these drawings, combined with the physical act of creating them, mirrors the diagnostic process of searching for disease and decay within the body through medical imaging. Through this artistic lens, the drawings evoke the shared experience of vulnerability.

Authors

Institutions

Publication Details

Journal
Drawing Research Theory Practice
Published
2024-10-01
DOI
https://doi.org/10.1386/drtp_00143_1
Primary Topic
Empathy and Medical Education
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Transitioning through drawing

Janet Saunders
Drawing Research Theory Practice
Empathy and Medical Education
article

Transitioning through drawing

Janet Saunders
article en

Abstract

‘Transitioning through drawing’ is a series of works on paper that explore the value and role of drawing to alleviate the emotional distress and isolation experienced by people experiencing illness, while also facilitating opportunities for contemplation and inquiry into the clinical procedures through an aesthetic lens. This series reflects a practice-led enquiry that stemmed from the artist’s exploration of various forms of drawing within their creative practices. Drawing experiments included marks made by oil paint across water and movements of the body on an inked glass surface, both of which created imprints on large sheets of paper. These marbled surfaces and body monoprints became the foundation for further additions, including forms, surface marks and textures. The phenomenological nature of these drawings, combined with the physical act of creating them, mirrors the diagnostic process of searching for disease and decay within the body through medical imaging. Through this artistic lens, the drawings evoke the shared experience of vulnerability.

Drawing Research Theory PracticeVol. 9(2)
Western Sydney University (AU)
Openalex Percentile: Top 68%
Empathy and Medical Education
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.