‘ARE YOU STILL THERE?’ EXPERIENCING SONIC BOTHY'S <i>VERBAAAAATIM</i>

Abstract Sonic Bothy is an inclusive experimental and new-music organisation with an ensemble of musicians with and without disabilities and neurodiversities. This article considers their audiovisual piece Verbaaaaatim (2020–21), its form marked by the context of its development and composition during the COVID-19 pandemic, using a set of interlayered perspectives that mirror the formal layers of the piece. Recorded in a single take, it comprises instrumental sounds, spoken words, written words, static and dynamic graphics and videos of the performers, aligned so that the piece seems consistently to flow onwards, although it is not always clear which element impels its forward motion. The article considers, in particular, Verbaaaaatim 's presentation of modes of embodied conviviality between its performers, the ways these find resonance in wider histories of experimental music and the ways in which its elements can be understood in an ecological framework as ‘sound actions’.

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Publication Details

Journal
Tempo
Published
2024-10-01
DOI
https://doi.org/10.1017/s0040298224000354
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

‘ARE YOU STILL THERE?’ EXPERIENCING SONIC BOTHY'S VERBAAAAATIM

Martin Iddon, Raymond MacDonald, Claire Docherty, Alexander Refsum Jensenius et al.
Tempo
Diverse Musicological Studies
article

‘ARE YOU STILL THERE?’ EXPERIENCING SONIC BOTHY'S VERBAAAAATIM

Martin Iddon, Raymond MacDonald, Claire Docherty, Alexander Refsum Jensenius, Jane Stanley
article en

Abstract

Abstract Sonic Bothy is an inclusive experimental and new-music organisation with an ensemble of musicians with and without disabilities and neurodiversities. This article considers their audiovisual piece Verbaaaaatim (2020–21), its form marked by the context of its development and composition during the COVID-19 pandemic, using a set of interlayered perspectives that mirror the formal layers of the piece. Recorded in a single take, it comprises instrumental sounds, spoken words, written words, static and dynamic graphics and videos of the performers, aligned so that the piece seems consistently to flow onwards, although it is not always clear which element impels its forward motion. The article considers, in particular, Verbaaaaatim 's presentation of modes of embodied conviviality between its performers, the ways these find resonance in wider histories of experimental music and the ways in which its elements can be understood in an ecological framework as ‘sound actions’.

TempoVol. 78(310)
Openalex Percentile: Top 70%
Diverse Musicological Studies
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‘ARE YOU STILL THERE?’ EXPERIENCING SONIC BOTHY'S <i>VERBAAAAATIM</i> — Martin Iddon, Raymond MacDonald, et al. · Tempo (2024) | TGRS Research Map | TGRS