Interwoven Threads: Sympathetic Knowledge in George Eliot and Spinoza

Before achieving success as a novelist, George Eliot spent several years translating Spinoza’s Ethics. Previous scholarship on Spinoza and Eliot has generally assumed that Eliot’s novels are wholly influenced by Spinoza, or that they can even be read as ‘translations’ of Spinoza. In this article, I instead argue that Eliot’s shift from Spinoza translation to novel-writing reflects an initial repudiation of, followed by a contention with, unresolved problems in Spinoza’s social philosophy as regards the role of sympathy, fellow-feeling, and the knowledge of others as distinct and different beings. I also explore how Eliot’s own views develop between the early novel Adam Bede and the later Middlemarch to argue against a reading of ‘sympathy’ in Eliot as something wholly consistent or uniform. Her efforts to fashion a post-Spinozan art of sympathy in Adam Bede, in which a morality of fellow-feeling is emphasised and explored in narratives of love and self-renunciation, resulted in internal problems concerning the reliability of the imagination and the power of societal relations to condition how this fellow-feeling is experienced. The later Eliot draws on a conceptual imagery of ‘threads’ of relationality and a ‘fabric’ of opinion in Middlemarch to emphasise the integration of thinking and feeling, and the role of beneficent action, in a manner consistent with aspects of Spinoza’s social philosophy. I show that Eliot here makes useful progress through and beyond lacunae in the Ethics, contributing to a wider set of debates about sympathy, difference, ethics, and epiphanies through the concept of sympathetic knowledge.