The Ages of Capital: The Dialectic of Undead Rejuvenescence and Ossification

In Capital (3 vols, 1867–1894), Karl Marx personified Capital in gothic terms through a series of disordered ages whose shifting appearances defy natural ageing processes. He imaginatively represented capitalist derangements of age and ageing, portraying Capital as a perpetual newborn, strange god, machinic monster and undead vampire, whose inner drive to immortality violently disjoints, shortens and sacrifices human life. This article examines Marx’s portrayal of Capital’s Bildung as daily and eternally youthful, god-like, monstrous and verrückt (crazy and deranged). It argues that Capital’s incessant rejuvenescence and its ossification and obliteration of life are inseparable processes, dialectically united, of its living-dead ageing. The article conceptualises the gerontological unconscious of capitalist society and demonstrates how Gothic Marxism can unfold the class struggles inhering in motifs of ageing and non-ageing shared by Capital and the Gothic. These include monstrous birth and rejuvenation, torturously foreshortened life, premature senescence, and vampiric longevity and immortality.

Authors

Publication Details

Journal
Gothic Studies
Published
2024-11-01
DOI
https://doi.org/10.3366/gothic.2024.0205
Primary Topic
Contemporary Literature and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

The Ages of Capital: The Dialectic of Undead Rejuvenescence and Ossification

Jayson Althofer, Brian Musgrove
Gothic Studies
Contemporary Literature and Criticism
article

The Ages of Capital: The Dialectic of Undead Rejuvenescence and Ossification

Jayson Althofer, Brian Musgrove
article en

Abstract

In Capital (3 vols, 1867–1894), Karl Marx personified Capital in gothic terms through a series of disordered ages whose shifting appearances defy natural ageing processes. He imaginatively represented capitalist derangements of age and ageing, portraying Capital as a perpetual newborn, strange god, machinic monster and undead vampire, whose inner drive to immortality violently disjoints, shortens and sacrifices human life. This article examines Marx’s portrayal of Capital’s Bildung as daily and eternally youthful, god-like, monstrous and verrückt (crazy and deranged). It argues that Capital’s incessant rejuvenescence and its ossification and obliteration of life are inseparable processes, dialectically united, of its living-dead ageing. The article conceptualises the gerontological unconscious of capitalist society and demonstrates how Gothic Marxism can unfold the class struggles inhering in motifs of ageing and non-ageing shared by Capital and the Gothic. These include monstrous birth and rejuvenation, torturously foreshortened life, premature senescence, and vampiric longevity and immortality.

Gothic StudiesVol. 26(3)
Openalex Percentile: Top 64%
Contemporary Literature and Criticism
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