Nineteenth-Century Transatlantic Coastal Culture: Marine Vegetation as Inspiration and Material

Abstract This essay explores how Clement Nye Swift's 1878 painting Une charretée de goemon sur une plage de Bretagne spoke to a range of historical practices and meanings for oceanic algae and articulated a nostalgic account of seaweed collection in the late 1800s, when traditional New England coastal practices were transforming.

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Publication Details

Journal
The New England Quarterly
Published
2024-12-01
DOI
https://doi.org/10.1162/tneq_a_01048
Primary Topic
Landscape and Cultural Studies
Type
article
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article

Nineteenth-Century Transatlantic Coastal Culture: Marine Vegetation as Inspiration and Material

Naomi Slipp
The New England Quarterly
Landscape and Cultural Studies
article

Nineteenth-Century Transatlantic Coastal Culture: Marine Vegetation as Inspiration and Material

Naomi Slipp
article en

Abstract

Abstract This essay explores how Clement Nye Swift's 1878 painting Une charretée de goemon sur une plage de Bretagne spoke to a range of historical practices and meanings for oceanic algae and articulated a nostalgic account of seaweed collection in the late 1800s, when traditional New England coastal practices were transforming.

The New England QuarterlyVol. 97(4)
Openalex Percentile: Top 61%
Landscape and Cultural Studies
DOISourceOpenAlex
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Nineteenth-Century Transatlantic Coastal Culture: Marine Vegetation as Inspiration and Material — Naomi Slipp · The New England Quarterly (2024) | TGRS Research Map | TGRS