Intimacy and the Transformation of the Public Sphere

Intimacy and the public sphere have typically been conceptualized dichotomously both in scholarly and popular accounts. Problematizing this approach, I argue that considering ‘intimacy’ and ‘public’ solely as dichotomous entities unduly limits the scope of research on intimacy. In making this case, I interpret classic social theory from the works of Simmel and Habermas. Both accounts of transformations in modernity describe the emergence of a sphere of intimacy as a corollary of these transformations, i.e. not as clearly opposed to but intricately related to the emergence of the public sphere. I reflect on the implications of these insights for contemporary studies of intimacy by applying them to the example of wedding ceremonies with the aim to explain a transition from a conspicuously ‘public’ performance to a hybrid public/private event which has now come to include experiences of intimacy supported by mediated publics.

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Publication Details

Journal
Theory Culture & Society
Published
2024-12-01
DOI
https://doi.org/10.1177/02632764241299390
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
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article

Intimacy and the Transformation of the Public Sphere

Kornelia Hahn
Theory Culture & Society
Gender, Feminism, and Media
article

Intimacy and the Transformation of the Public Sphere

Kornelia Hahn
article en

Abstract

Intimacy and the public sphere have typically been conceptualized dichotomously both in scholarly and popular accounts. Problematizing this approach, I argue that considering ‘intimacy’ and ‘public’ solely as dichotomous entities unduly limits the scope of research on intimacy. In making this case, I interpret classic social theory from the works of Simmel and Habermas. Both accounts of transformations in modernity describe the emergence of a sphere of intimacy as a corollary of these transformations, i.e. not as clearly opposed to but intricately related to the emergence of the public sphere. I reflect on the implications of these insights for contemporary studies of intimacy by applying them to the example of wedding ceremonies with the aim to explain a transition from a conspicuously ‘public’ performance to a hybrid public/private event which has now come to include experiences of intimacy supported by mediated publics.

Theory Culture & SocietyVol. 41(7-8)
University of Salzburg (AT)
Openalex Percentile: Top 66%
Gender, Feminism, and Media
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