Queen Lili'uokalani as Anti-Imperialist Curator: Mount Vernon and the Archive of Washington Place

Abstract: In 1887 and 1897, Queen Lili'uokalani of Hawai'i twice visited the first house museum in the United States—George Washington's Mount Vernon, opened in 1860 by the first US historic preservation organization, the Mount Vernon Ladies' Association (MVLA). During those visits, Lili'uokalani was subjected to vitriolic attacks by the American press, and from this context she appointed her mansion to promote Hawaiian royalty. I argue that Lili'uokalani positioned her final residence in Honolulu as a palace-in-exile, earlier named "Washington Place" for its architectural similarity to Mount Vernon, as a rebuttal to the illegitimate occupation of the United States. She curated artifacts to counter the increasing erasure of Hawaiian culture by the US government. By addressing a rich range of archival materials, this essay argues that Lili'uokalani was deeply influenced by the MVLA's domestic strategy for preserving and creating history, or histories, but from an anti-US vantage to celebrate Hawaiian sovereignty.

Authors

Publication Details

Journal
Arizona quarterly/˜The œArizona quarterly
Published
2024-12-01
DOI
https://doi.org/10.1353/arq.2024.a947163
Primary Topic
Asian American and Pacific Histories
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Queen Lili'uokalani as Anti-Imperialist Curator: Mount Vernon and the Archive of Washington Place

Lisa McGunigal
Arizona quarterly/˜The œArizona quarterly
Asian American and Pacific Histories
article

Queen Lili'uokalani as Anti-Imperialist Curator: Mount Vernon and the Archive of Washington Place

Lisa McGunigal
article en

Abstract

Abstract: In 1887 and 1897, Queen Lili'uokalani of Hawai'i twice visited the first house museum in the United States—George Washington's Mount Vernon, opened in 1860 by the first US historic preservation organization, the Mount Vernon Ladies' Association (MVLA). During those visits, Lili'uokalani was subjected to vitriolic attacks by the American press, and from this context she appointed her mansion to promote Hawaiian royalty. I argue that Lili'uokalani positioned her final residence in Honolulu as a palace-in-exile, earlier named "Washington Place" for its architectural similarity to Mount Vernon, as a rebuttal to the illegitimate occupation of the United States. She curated artifacts to counter the increasing erasure of Hawaiian culture by the US government. By addressing a rich range of archival materials, this essay argues that Lili'uokalani was deeply influenced by the MVLA's domestic strategy for preserving and creating history, or histories, but from an anti-US vantage to celebrate Hawaiian sovereignty.

Arizona quarterly/˜The œArizona quarterlyVol. 80(4)
Openalex Percentile: Top 63%
Asian American and Pacific Histories
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.