Narrating and focalizing the Book of Margery Kempe

Narratology can profit from more historicized attention to premodern texts. This essay opens an extended narratological analysis of the fifteenth-century Middle English Book of Margery Kempe. Modifying narrative theory (Genette, Bal) to suit a medieval narratology, I use discourse analysis to explore the language, focalization, and temporality of the narrating discourse. The text, seemingly without a narrator, deploys multiple focalizations to construct an intricate third-person narrative rather than a strict autobiography of the life of a lay, extravagantly pious, and visionary woman. Some focalizations are internal (Experiencers), while others are external (Summarizer, Commentator, Scribal-Textualist). The lively narration weaves together homodiegetic and heterodiegetic perspectives. The narration constructs multifocalized accounts of the protagonist’s everyday struggles and interactions and her interior experiences and visions of Jesus suffering in the Passion and “fresch” on the streets. Narratological analysis uncovers the textual power of narrating the protagonist’s life story with transplacing temporalities of Apostolic past, near past, and present reading time.

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Publication Details

Journal
Neuphilologische Mitteilungen
Published
2024-12-13
DOI
https://doi.org/10.51814/nm.144557
Primary Topic
Medieval Literature and History
Type
article
Field-Weighted Citation Impact
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article

Narrating and focalizing the Book of Margery Kempe

Mark Amsler
Neuphilologische Mitteilungen
Medieval Literature and History
article

Narrating and focalizing the Book of Margery Kempe

Mark Amsler
article en

Abstract

Narratology can profit from more historicized attention to premodern texts. This essay opens an extended narratological analysis of the fifteenth-century Middle English Book of Margery Kempe. Modifying narrative theory (Genette, Bal) to suit a medieval narratology, I use discourse analysis to explore the language, focalization, and temporality of the narrating discourse. The text, seemingly without a narrator, deploys multiple focalizations to construct an intricate third-person narrative rather than a strict autobiography of the life of a lay, extravagantly pious, and visionary woman. Some focalizations are internal (Experiencers), while others are external (Summarizer, Commentator, Scribal-Textualist). The lively narration weaves together homodiegetic and heterodiegetic perspectives. The narration constructs multifocalized accounts of the protagonist’s everyday struggles and interactions and her interior experiences and visions of Jesus suffering in the Passion and “fresch” on the streets. Narratological analysis uncovers the textual power of narrating the protagonist’s life story with transplacing temporalities of Apostolic past, near past, and present reading time.

Neuphilologische MitteilungenVol. 125(2)
University of Auckland (NZ)
Gender equality
Openalex Percentile: Top 69%
Medieval Literature and History
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