An Interpretation and Understanding of Human Emotion Fear Through Bhayanaka Rasa in Dina Mehta’s Brides Are Not For Burning

This research delves into the subtle exploration of human emotions, specifically honing in on the depiction of fear through the artistic lens of Bhayanaka Rasa in Dina Mehta's play, Brides Are Not for Burning. Emotions are a fundamental aspect of the human condition, and this study aims to uncover the complex layers of fear as portrayed in the narrative. Drawing inspiration from classical Indian aesthetics, as well as performing and theatrical arts, Bhayanaka Rasa encompasses a multifaceted range of emotions associated with fear, horror, and apprehension. By examining Mehta's portrayal and its impact, this research enriches our interpretation and comprehension of the significant role played by Bhayanaka Rasa in evoking and navigating feelings of fear and agitation. Utilizing a descriptive qualitative approach, this study examines the encapsulation, manifestation, and expression of Bhayanaka Rasa by the characters and situations, providing valuable insights into the convergence of emotions, artistic portrayal, and human experiences. By shedding light on the interpretative aspects of fear within the drama, this research enriches the ongoing conversation on emotions in literature, presenting a significant viewpoint on the thoughtful influence of apprehension in the domain of dramatic representation.