On not wanting to know: Some thoughts on Kazuo Ishiguro's novel <i>Never Let Me Go</i>

Abstract Kazuo Ishiguro's dystopian novel Never Let Me Go takes place, as the author tells us in ‘England, the late 1990s’ and follows the lives of a group of clones who had been created with the sole purpose of harvesting their organs for transplant. The novel is steeped in an atmosphere of illusion and self‐deception while remaining deeply rooted in human emotions. I argue that to some extent it represents all of us, our illusions and self‐deceptions. At another level, however, I argue that the novel is a sharp critique of a culture of narcissism and self‐interest where human beings are treated as commodities, while creating the illusion that they are special and that ‘they never had it so good’, a saying from another time when self‐deception was equally promoted. The paper concentrates on one aspect of this multilayered novel—the misrepresentation of reality and the human wish not to know about painful truths, but instead to create an illusory world. It examines this aspect of the novel in terms of the current neoliberal framework, and the culture of illusion that it promotes by ignoring the violence that underlies it. In particular, it examines how this pervasive aspect of contemporary culture affects the ability of the individual to ask questions and to pursue the truth, what Bion called ‘ K. ’

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Publication Details

Journal
British Journal of Psychotherapy
Published
2024-12-11
DOI
https://doi.org/10.1111/bjp.12933
Primary Topic
Contemporary Literature and Criticism
Type
article
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article

On not wanting to know: Some thoughts on Kazuo Ishiguro's novel Never Let Me Go

Christina Wieland
British Journal of Psychotherapy
Contemporary Literature and Criticism
article

On not wanting to know: Some thoughts on Kazuo Ishiguro's novel Never Let Me Go

Christina Wieland
article en

Abstract

Abstract Kazuo Ishiguro's dystopian novel Never Let Me Go takes place, as the author tells us in ‘England, the late 1990s’ and follows the lives of a group of clones who had been created with the sole purpose of harvesting their organs for transplant. The novel is steeped in an atmosphere of illusion and self‐deception while remaining deeply rooted in human emotions. I argue that to some extent it represents all of us, our illusions and self‐deceptions. At another level, however, I argue that the novel is a sharp critique of a culture of narcissism and self‐interest where human beings are treated as commodities, while creating the illusion that they are special and that ‘they never had it so good’, a saying from another time when self‐deception was equally promoted. The paper concentrates on one aspect of this multilayered novel—the misrepresentation of reality and the human wish not to know about painful truths, but instead to create an illusory world. It examines this aspect of the novel in terms of the current neoliberal framework, and the culture of illusion that it promotes by ignoring the violence that underlies it. In particular, it examines how this pervasive aspect of contemporary culture affects the ability of the individual to ask questions and to pursue the truth, what Bion called ‘ K. ’

British Journal of PsychotherapyVol. 41(1)
University of Essex (GB)
Peace, Justice and strong institutions
Openalex Percentile: Top 65%
Contemporary Literature and Criticism
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