Rompre le contrat hétérosexuel, consentir à d’autres imaginaires du désir?

Wendy Delorme’s Viendra le temps du feu and Phoebe Hadjimarkos Clarke’s Tabor, two French polyphonic dystopian novels published in 2021, can be construed as attempts to break free from a social contract that is essentially a heterosexual contract (Wittig), so as to usher in a utopian community where the dynamics of desire is redefined. As the reader is challenged to consent to these alternative imaginary worlds on a narrative as well as on a metaliterary level, both novels end up questioning the very desire for fiction as a source of empowerment.