“Quem sabe o fim não seja nada e a estrada seja tudo?”: o processo de criação do roteiro do show Rota 69, de Marina Lima.

This article presents and discusses the process of creating the script for the concert Rota 69, by the singer, songwriter, and arranger Marina Lima. Written by Fernando Muniz and Renato Gonçalves, the script, developed between April and July 2024, aimed to synthesize the artist’s 69 years of life and 45 years of career. As theoretical-methodological foundations, we rely on discussions of process criticism and the dramatic construction of scripts, which respectively guide the analysis of the creative movement and the aspects of script narration. The analysis focuses on four manuscripts and WhatsApp message exchanges, examining the intentions, criteria, and decisions taken during the process. The results highlight the inherent incompleteness of the script as a format; the creative thinking between verbal, sound, and visual matrices in a musical performance; and the construction of the logos, pathos, and ethos of the script.

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Publication Details

Journal
Manuscrítica Revista de Crítica Genética
Published
2024-11-29
DOI
https://doi.org/10.11606/issn.2596-2477.i53p208-223
Primary Topic
History, Culture, and Society
Type
article
Field-Weighted Citation Impact
0.00
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article

“Quem sabe o fim não seja nada e a estrada seja tudo?”: o processo de criação do roteiro do show Rota 69, de Marina Lima.

Renato Gonçalves Ferreira Filho
Manuscrítica Revista de Crítica Genética
History, Culture, and Society
article

“Quem sabe o fim não seja nada e a estrada seja tudo?”: o processo de criação do roteiro do show Rota 69, de Marina Lima.

Renato Gonçalves Ferreira Filho
article en

Abstract

This article presents and discusses the process of creating the script for the concert Rota 69, by the singer, songwriter, and arranger Marina Lima. Written by Fernando Muniz and Renato Gonçalves, the script, developed between April and July 2024, aimed to synthesize the artist’s 69 years of life and 45 years of career. As theoretical-methodological foundations, we rely on discussions of process criticism and the dramatic construction of scripts, which respectively guide the analysis of the creative movement and the aspects of script narration. The analysis focuses on four manuscripts and WhatsApp message exchanges, examining the intentions, criteria, and decisions taken during the process. The results highlight the inherent incompleteness of the script as a format; the creative thinking between verbal, sound, and visual matrices in a musical performance; and the construction of the logos, pathos, and ethos of the script.

Manuscrítica Revista de Crítica Genética(53)
Escola Superior de Propaganda e Marketing (BR)
Openalex Percentile: Top 64%
History, Culture, and Society
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