Victorious Laughter: Satirical Photomontage in Brigade KGK’s Photo Series From the 16th to the 17th Congress of the All-Union Communist Party (Bolsheviks)

In 1934, the Soviet photo agency Soiuzfoto published an illustrated version of Joseph Stalin’s “Report to the Seventeenth Party Congress on the Work of the Central Committee of the C.P.S.U.(B.),” comprising seventy-five photomontages by a trio of young artists named Brigade KGK. In this essay, I treat the satirical photomontages that Brigade KGK created for Stalin’s report as a search for a suitable artistic idiom of official humor. I argue that Brigade KGK used stretched and distorted imagery to demonstrate the comic possibilities inherent in photography’s materiality, where others subordinated it to the traditional art of drawing. The essay situates Brigade KGK’s work in relation to debates in the final years of the first five-year plan, at a time when supporters of German artist John Heartfield criticized photomontage as a purely mechanical technique and discredited its supporters as petty-bourgeois formalists.

Authors

Institutions

Publication Details

Journal
Getty Research Journal
Published
2024-12-13
DOI
https://doi.org/10.59491/wgvy8306
Primary Topic
Visual Culture and Art Theory
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Victorious Laughter: Satirical Photomontage in Brigade KGK’s Photo Series From the 16th to the 17th Congress of the All-Union Communist Party (Bolsheviks)

Samuel Johnson
Getty Research Journal
Visual Culture and Art Theory
article

Victorious Laughter: Satirical Photomontage in Brigade KGK’s Photo Series From the 16th to the 17th Congress of the All-Union Communist Party (Bolsheviks)

Samuel Johnson
article en

Abstract

In 1934, the Soviet photo agency Soiuzfoto published an illustrated version of Joseph Stalin’s “Report to the Seventeenth Party Congress on the Work of the Central Committee of the C.P.S.U.(B.),” comprising seventy-five photomontages by a trio of young artists named Brigade KGK. In this essay, I treat the satirical photomontages that Brigade KGK created for Stalin’s report as a search for a suitable artistic idiom of official humor. I argue that Brigade KGK used stretched and distorted imagery to demonstrate the comic possibilities inherent in photography’s materiality, where others subordinated it to the traditional art of drawing. The essay situates Brigade KGK’s work in relation to debates in the final years of the first five-year plan, at a time when supporters of German artist John Heartfield criticized photomontage as a purely mechanical technique and discredited its supporters as petty-bourgeois formalists.

Getty Research Journal(20)
Syracuse University (US)
Openalex Percentile: Top 66%
Visual Culture and Art Theory
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.