Nowe kino saudyjskie. O twórczości Meshala Al Jasera

The author analyzes two films by the young Saudi director Meshal Al Jaser: Is Sumiyati Going to Hell? (2016) and Can I Go Out? (2017), in which she focuses on the situation of two social groups – women and migrant workers. The analysis is preceded by a short introduction to the social and cultural situation in Saudi Arabia, together with a description of the conditions that have only recently enabled the emergence of filmmaking in this country and shaped its specificity. The author focuses on the content of the films analyzed, interpreting them in the context of Saudi reality, as well as on the director’s characteristic style, which often employs the convention of grotesque. This text tries to show how the artistic choices made by Al Jaser allow him to portray the chosen social phenomena in their depth and complexity.

Authors

Institutions

Publication Details

Journal
Images The International Journal of European Film Performing Arts and Audiovisual Communication
Published
2024-12-11
DOI
https://doi.org/10.14746/i.2024.36.45.5
Primary Topic
Middle East Politics and Society
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Nowe kino saudyjskie. O twórczości Meshala Al Jasera

Ewa Linek
Images The International Journal of European Film Performing Arts and Audiovisual Communication
Middle East Politics and Society
article

Nowe kino saudyjskie. O twórczości Meshala Al Jasera

Ewa Linek
article en

Abstract

The author analyzes two films by the young Saudi director Meshal Al Jaser: Is Sumiyati Going to Hell? (2016) and Can I Go Out? (2017), in which she focuses on the situation of two social groups – women and migrant workers. The analysis is preceded by a short introduction to the social and cultural situation in Saudi Arabia, together with a description of the conditions that have only recently enabled the emergence of filmmaking in this country and shaped its specificity. The author focuses on the content of the films analyzed, interpreting them in the context of Saudi reality, as well as on the director’s characteristic style, which often employs the convention of grotesque. This text tries to show how the artistic choices made by Al Jaser allow him to portray the chosen social phenomena in their depth and complexity.

Images The International Journal of European Film Performing Arts and Audiovisual CommunicationVol. 36(45)
University of Łódź (PL)
Reduced inequalities
Openalex Percentile: Top 63%
Middle East Politics and Society
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.