Czarnomorskie wizje w liryce Christa Fotewa

The purpose of this article is to interpret the semantic dominants in the lyrics of the Bulgarian writer Hristo Fotev, which deal with the diverse visions of the Black Sea coast, Burgas, the port, the inhabitants, the newcomers, and the sea waters. The analysis includes selected poems from the following volumes: Ballad Journey (1961), Lyrics (1965), Sentimental Dedications (1967), and Collected Works. Vol. 1: Poetry (1998). Attention is focused on the subjective identification with place and strategies for creating symbolic, metaphorical, imaginary, geographical, and historical space and its maritime elements. The seaside landscape becomes the inspiration for the poetic imagination, at the same time constituting the object of lyrical creation. Images of the sea also become a probe into the poet’s mental state, the individual elements of the maritime landscape being a metaphor for human experience. In the ballad convention, the sea takes on fantastic, supernatural, mysterious qualities and is the place of existence of mythical characters.

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Publication Details

Journal
Poznańskie Studia Slawistyczne
Published
2024-12-11
DOI
https://doi.org/10.14746/pss.2024.26.8
Primary Topic
Central European Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Czarnomorskie wizje w liryce Christa Fotewa

Dorota Gołek‐Sepetliewa
Poznańskie Studia Slawistyczne
Central European Literary Studies
article

Czarnomorskie wizje w liryce Christa Fotewa

Dorota Gołek‐Sepetliewa
article en

Abstract

The purpose of this article is to interpret the semantic dominants in the lyrics of the Bulgarian writer Hristo Fotev, which deal with the diverse visions of the Black Sea coast, Burgas, the port, the inhabitants, the newcomers, and the sea waters. The analysis includes selected poems from the following volumes: Ballad Journey (1961), Lyrics (1965), Sentimental Dedications (1967), and Collected Works. Vol. 1: Poetry (1998). Attention is focused on the subjective identification with place and strategies for creating symbolic, metaphorical, imaginary, geographical, and historical space and its maritime elements. The seaside landscape becomes the inspiration for the poetic imagination, at the same time constituting the object of lyrical creation. Images of the sea also become a probe into the poet’s mental state, the individual elements of the maritime landscape being a metaphor for human experience. In the ballad convention, the sea takes on fantastic, supernatural, mysterious qualities and is the place of existence of mythical characters.

Poznańskie Studia Slawistyczne(26)
University of Silesia in Katowice (PL)
Life below water
Openalex Percentile: Top 66%
Central European Literary Studies
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