"We're Going to Kill Your Father": Disruptive Play and Its Affective Dimensions

To exclusively align children’s play with joy limits the possibility of understanding what play means for children when it does not fall neatly into the comfortable categories of being normal, safe, kind, or caring. When play is risky and uncomfortable, wild and chaotic, when it shocks and challenges normative conventions—especially in schools—adults consider it disruptive. In this article, we examine a kindergartener’s artistic production of “demonic gingerbread people” using two layers to read this play event. Using a critical childhoods lens, we propose empathy as an alternative to jumping immediately to intervention in response to disruptive play. Using affect theory, we think and experiment with these gingerbread productions to consider the affordances of approaching students' disruptive play with wonder. This layered approach may attune us to new possibilities for conceptualizing children’s subversive play.

Authors

Publication Details

Journal
The Critical Social Educator
Published
2024-12-11
DOI
https://doi.org/10.70707/ncsk11241e
Primary Topic
Homelessness and Social Issues
Type
article
Field-Weighted Citation Impact
0.00
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article

"We're Going to Kill Your Father": Disruptive Play and Its Affective Dimensions

Adrienne Vitullo
The Critical Social Educator
Homelessness and Social Issues
article

"We're Going to Kill Your Father": Disruptive Play and Its Affective Dimensions

Adrienne Vitullo
article en

Abstract

To exclusively align children’s play with joy limits the possibility of understanding what play means for children when it does not fall neatly into the comfortable categories of being normal, safe, kind, or caring. When play is risky and uncomfortable, wild and chaotic, when it shocks and challenges normative conventions—especially in schools—adults consider it disruptive. In this article, we examine a kindergartener’s artistic production of “demonic gingerbread people” using two layers to read this play event. Using a critical childhoods lens, we propose empathy as an alternative to jumping immediately to intervention in response to disruptive play. Using affect theory, we think and experiment with these gingerbread productions to consider the affordances of approaching students' disruptive play with wonder. This layered approach may attune us to new possibilities for conceptualizing children’s subversive play.

The Critical Social EducatorVol. 2(1)
Openalex Percentile: Top 59%
Homelessness and Social Issues
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