The Lure of Cultural Authenticity: Netflix and Speculative Koreanness in the Global Media Market

Despite Netflix’s status as a dominant global streaming service, it is irrefutable that the platform has facilitated the circulation of media content from different national markets to its subscribers around the world. This increased circulation has been accompanied by the platforms’ exploration of local cultures for global audiences. Specifically, Netflix has sought to represent and repackage local cultures in allegedly “authentic” ways. Drawing on a critical analysis of Netflix’s industry discourses, interviews with Korean content creators, and a textual analysis of the original Korean series Squid Game (2021–present), the article explores how Netflix formulates and disseminates its lore of cultural authenticity as a distinct brand to enhance its international presence. We argue that Netflix’s branding of original Korean series as culturally authentic, further grounded in a particular mode of portraying Korean culture for imagined global (non-Korean) audiences, involves representational practices of what we refer to as speculative Koreanness.

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Publication Details

Journal
Television & New Media
Published
2024-12-10
DOI
https://doi.org/10.1177/15274764241303735
Citations
1
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
4.29

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article

The Lure of Cultural Authenticity: Netflix and Speculative Koreanness in the Global Media Market

Kyong Yoon, Dal Yong Jin, Benjamin M. Han
1 citations
Television & New Media
Asian Culture and Media Studies
4.29
article

The Lure of Cultural Authenticity: Netflix and Speculative Koreanness in the Global Media Market

Kyong Yoon, Dal Yong Jin, Benjamin M. Han
article en
1 citations

Abstract

Despite Netflix’s status as a dominant global streaming service, it is irrefutable that the platform has facilitated the circulation of media content from different national markets to its subscribers around the world. This increased circulation has been accompanied by the platforms’ exploration of local cultures for global audiences. Specifically, Netflix has sought to represent and repackage local cultures in allegedly “authentic” ways. Drawing on a critical analysis of Netflix’s industry discourses, interviews with Korean content creators, and a textual analysis of the original Korean series Squid Game (2021–present), the article explores how Netflix formulates and disseminates its lore of cultural authenticity as a distinct brand to enhance its international presence. We argue that Netflix’s branding of original Korean series as culturally authentic, further grounded in a particular mode of portraying Korean culture for imagined global (non-Korean) audiences, involves representational practices of what we refer to as speculative Koreanness.

Television & New MediaVol. 26(5)
University of British Columbia (CA), University of Georgia (US), Simon Fraser University (CA), University of British Columbia, Okanagan Campus (CA), Okanagan University College (CA)
Academy of Korean Studies
Openalex Percentile: Top 5%
Asian Culture and Media Studies
4.29
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The Lure of Cultural Authenticity: Netflix and Speculative Koreanness in the Global Media Market — Kyong Yoon, Dal Yong Jin, et al. · Television & New Media (2024) | TGRS Research Map | TGRS