Musikkselskapets portrettmedaljonger

In 1786, three large portrait medallions were commissioned for the Musical Society in Trondheim, Norway. The medallions were made from wood and painted with antique-style portraits of three local musicians – Niels Krog Bredal, Johan Peter Thams, and Johan Daniel Berlin. The medallions are owned by the NTNU University Museum and currently exhibited at the Ringve Music Museum. Two similar medallions of unknown origin exist; a portrait of Christian Frederik Hagerup, and a medallion bearing the initials P.B. and the date December 31st, 1786. The article conducts a multi-disciplinary study of the five medallions from an object-based research perspective. The authors’ differing museum backgrounds offer the double perspectives of music and cultural history together with material and art history. A technological investigation of the medallions is combined with analyses of style, motives, and décor, against the background of biographical and contextual information. Two likely artisans are indicated, and new light is shed on the «unexplained» medallions. The medallions’ designs are contextualized with reference to the tradition of memorial coins, and the medallions’ social function is construed as part of a bourgeois strategy for self-representation and identity formation.

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Publication Details

Journal
1700-tal Nordic Journal for Eighteenth-Century Studies
Published
2024-12-11
DOI
https://doi.org/10.7557/4.7369
Primary Topic
Historical Influence and Diplomacy
Type
article
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article

Musikkselskapets portrettmedaljonger

Annabella Skagen, Daniela Pawel
1700-tal Nordic Journal for Eighteenth-Century Studies
Historical Influence and Diplomacy
article

Musikkselskapets portrettmedaljonger

Annabella Skagen, Daniela Pawel
article en

Abstract

In 1786, three large portrait medallions were commissioned for the Musical Society in Trondheim, Norway. The medallions were made from wood and painted with antique-style portraits of three local musicians – Niels Krog Bredal, Johan Peter Thams, and Johan Daniel Berlin. The medallions are owned by the NTNU University Museum and currently exhibited at the Ringve Music Museum. Two similar medallions of unknown origin exist; a portrait of Christian Frederik Hagerup, and a medallion bearing the initials P.B. and the date December 31st, 1786. The article conducts a multi-disciplinary study of the five medallions from an object-based research perspective. The authors’ differing museum backgrounds offer the double perspectives of music and cultural history together with material and art history. A technological investigation of the medallions is combined with analyses of style, motives, and décor, against the background of biographical and contextual information. Two likely artisans are indicated, and new light is shed on the «unexplained» medallions. The medallions’ designs are contextualized with reference to the tradition of memorial coins, and the medallions’ social function is construed as part of a bourgeois strategy for self-representation and identity formation.

1700-tal Nordic Journal for Eighteenth-Century StudiesVol. 21
Vitensenteret i Trondheim (NO)
Sustainable cities and communities
Openalex Percentile: Top 64%
Historical Influence and Diplomacy
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Musikkselskapets portrettmedaljonger — Annabella Skagen, Daniela Pawel · 1700-tal Nordic Journal for Eighteenth-Century Studies (2024) | TGRS Research Map | TGRS