<i>The Maid's Metamorphosis</i> , Directed by Perry Mills for Edward's Boys, Stratford-upon-Avon, UK <i>The Maid's Metamorphosis</i> , directed by Perry Mills for Edward's Boys, Stratford-upon-Avon, UK, Théâtre Jean-Claude Carrière, Montpellier, Fran

This review offers what is probably the first known record of a production of Maid’s Metamorphosis, a play published in 1600 which was performed by the Children of Paul’s. This production was directed by Perry Mills for Edward’s Boys, an all-boys company of King Edward VI School, Stratford-upon-Avon. It was performed in Montpellier in two different venues. The review considers the aesthetics of the performance, the shaping ethics of ensemble, the exploration of gender as a question of identity, and audience reception. The play is currently being edited for publication by Agnès Lafont and Lindsay Ann Reid.

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Publication Details

Journal
Cahiers Élisabéthains A Journal of English Renaissance Studies
Published
2024-11-01
DOI
https://doi.org/10.1177/01847678241292252
Primary Topic
Literature: history, themes, analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

The Maid's Metamorphosis , Directed by Perry Mills for Edward's Boys, Stratford-upon-Avon, UK The Maid's Metamorphosis , directed by Perry Mills for Edward's Boys, Stratford-upon-Avon, UK, Théâtre Jean-Claude Carrière, Montpellier, Fran

Alice Marion-Ferrand
Cahiers Élisabéthains A Journal of English Renaissance Studies
Literature: history, themes, analysis
article

The Maid's Metamorphosis , Directed by Perry Mills for Edward's Boys, Stratford-upon-Avon, UK The Maid's Metamorphosis , directed by Perry Mills for Edward's Boys, Stratford-upon-Avon, UK, Théâtre Jean-Claude Carrière, Montpellier, Fran

Alice Marion-Ferrand
article en

Abstract

This review offers what is probably the first known record of a production of Maid’s Metamorphosis, a play published in 1600 which was performed by the Children of Paul’s. This production was directed by Perry Mills for Edward’s Boys, an all-boys company of King Edward VI School, Stratford-upon-Avon. It was performed in Montpellier in two different venues. The review considers the aesthetics of the performance, the shaping ethics of ensemble, the exploration of gender as a question of identity, and audience reception. The play is currently being edited for publication by Agnès Lafont and Lindsay Ann Reid.

Cahiers Élisabéthains A Journal of English Renaissance StudiesVol. 115(1)
Université Paul-Valéry Montpellier (FR)
Gender equality
Openalex Percentile: Top 66%
Literature: history, themes, analysis
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