Story-weaving: <i>homo narrans</i> , popular culture and the role of stories in tourism

This article proposes to understand popular culture-inspired tourism as a process of ‘story-weaving’. Exploring the role of stories from the perspectives of tour guides and visitors, we analyse the collaborative process in which biographical stories, places and histories become entwined. Drawing on Walter Fisher's ‘narrative paradigm’ and his understanding of humans as ‘ homo narrans ’ or storytelling animals, we argue that story-weaving goes beyond stories being packaged and sold to visitors by tour guides or shaping fan experiences of place. Through interviews with Scotland-based tour guides who run Outlander tours and with visitors as well as participant-based observations we unpack the dynamic nature of story-weaving and examine how visitors and tour guides participate in it as a way of engaging with and in tourism.

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Publication Details

Journal
International Journal of Cultural Studies
Published
2024-12-11
DOI
https://doi.org/10.1177/13678779241300178
Citations
3
Primary Topic
Diverse Aspects of Tourism Research
Type
article
Field-Weighted Citation Impact
3.40

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article

Story-weaving: homo narrans , popular culture and the role of stories in tourism

Stephanie Garrison, Claire Wallace
3 citations
International Journal of Cultural Studies
Diverse Aspects of Tourism Research
3.40
article

Story-weaving: homo narrans , popular culture and the role of stories in tourism

Stephanie Garrison, Claire Wallace
article en
3 citations

Abstract

This article proposes to understand popular culture-inspired tourism as a process of ‘story-weaving’. Exploring the role of stories from the perspectives of tour guides and visitors, we analyse the collaborative process in which biographical stories, places and histories become entwined. Drawing on Walter Fisher's ‘narrative paradigm’ and his understanding of humans as ‘ homo narrans ’ or storytelling animals, we argue that story-weaving goes beyond stories being packaged and sold to visitors by tour guides or shaping fan experiences of place. Through interviews with Scotland-based tour guides who run Outlander tours and with visitors as well as participant-based observations we unpack the dynamic nature of story-weaving and examine how visitors and tour guides participate in it as a way of engaging with and in tourism.

International Journal of Cultural StudiesVol. 28(3)
University of Aberdeen (GB)
European Commission
Decent work and economic growth
Openalex Percentile: Top 7%
Diverse Aspects of Tourism Research
3.40
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