Die Ruine als Fetisch Die sexualisierten Kodierungen von Konservieren und Restaurieren bei John Ruskin

This article is based on the theory that John Ruskin (1819‑1900) attributed a male gaze to decaying architecture in his writings and described it with feminine characteristics. Decaying architecture symbolizes ideal virginity, which can only be destroyed by a falsifying restoration. This reading of Ruskin’s writings will be linked to a critical history of architecture that examines architecture in its patriarchal normativity. Building on this link, a feminist reading of the history of monument conservation will be formulated.

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Publication Details

Journal
MDCCC 1800
Published
2024-12-10
DOI
https://doi.org/10.30687/mdccc/2280-8841/2024/01/003
Primary Topic
Visual Culture and Art Theory
Type
article
Field-Weighted Citation Impact
0.00
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article

Die Ruine als Fetisch Die sexualisierten Kodierungen von Konservieren und Restaurieren bei John Ruskin

Sophie Stackmann
MDCCC 1800
Visual Culture and Art Theory
article

Die Ruine als Fetisch Die sexualisierten Kodierungen von Konservieren und Restaurieren bei John Ruskin

Sophie Stackmann
article en

Abstract

This article is based on the theory that John Ruskin (1819‑1900) attributed a male gaze to decaying architecture in his writings and described it with feminine characteristics. Decaying architecture symbolizes ideal virginity, which can only be destroyed by a falsifying restoration. This reading of Ruskin’s writings will be linked to a critical history of architecture that examines architecture in its patriarchal normativity. Building on this link, a feminist reading of the history of monument conservation will be formulated.

MDCCC 1800(13)
TU Wien (AT)
Openalex Percentile: Top 66%
Visual Culture and Art Theory
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