Developing habits of mind for an ethical and accountable songwriting praxis

In a co-taught course on songwriting, we identified a need to discuss the ethics of being a songwriter. Songwriters and songwriting educators must consider how to best address issues related to cultural appropriation and develop ethical and accountable responses in their creative works. This article forwards habits of mind songwriters and songwriting educators can use to develop intellectual practices to focus on cultural exchange and lean into the power dynamics that surface in creative work. Habits of mind include posing critical questions and engaging reflexivity, researching lineages of the musics practised by individual songwriters, considering how songwriters position themselves in their music, developing a disposition towards compensation and taking a stance of cultural humility. This article suggests methods to help aspiring songwriters take up hard questions about what it means to be creative in a world where cultural exploitation has too quickly become a way to find commercial success.

Authors

Institutions

Publication Details

Journal
Journal of Popular Music Education
Published
2024-12-10
DOI
https://doi.org/10.1386/jpme_00147_1
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Developing habits of mind for an ethical and accountable songwriting praxis

Juliet Hess, Benjamin Lauren
Journal of Popular Music Education
Diverse Music Education Insights
article

Developing habits of mind for an ethical and accountable songwriting praxis

Juliet Hess, Benjamin Lauren
article en

Abstract

In a co-taught course on songwriting, we identified a need to discuss the ethics of being a songwriter. Songwriters and songwriting educators must consider how to best address issues related to cultural appropriation and develop ethical and accountable responses in their creative works. This article forwards habits of mind songwriters and songwriting educators can use to develop intellectual practices to focus on cultural exchange and lean into the power dynamics that surface in creative work. Habits of mind include posing critical questions and engaging reflexivity, researching lineages of the musics practised by individual songwriters, considering how songwriters position themselves in their music, developing a disposition towards compensation and taking a stance of cultural humility. This article suggests methods to help aspiring songwriters take up hard questions about what it means to be creative in a world where cultural exploitation has too quickly become a way to find commercial success.

Journal of Popular Music EducationVol. 9(1)
University of Miami (US), Michigan State University (US)
Openalex Percentile: Top 71%
Diverse Music Education Insights
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.