Reactivating <i>Medea</i> in Hanane Hajj Ali’s <i>Jogging</i>

Jogging: Theatre in Progress tells the story of four women, including Euripides’s Medea, who must grapple with what it means to be a woman and how to navigate the roles they take on, both consciously and unconsciously. Lebanese actress, playwright, and director Hanane Hajj Ali’s dark yet comedic one-woman show challenges stereotypes and preconceived notions that affect women in the Middle East and beyond.

Authors

Publication Details

Journal
TDR/The Drama Review
Published
2024-12-01
DOI
https://doi.org/10.1017/s1054204324000364
Primary Topic
Middle East Politics and Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Reactivating Medea in Hanane Hajj Ali’s Jogging

Marina Johnson
TDR/The Drama Review
Middle East Politics and Society
article

Reactivating Medea in Hanane Hajj Ali’s Jogging

Marina Johnson
article en

Abstract

Jogging: Theatre in Progress tells the story of four women, including Euripides’s Medea, who must grapple with what it means to be a woman and how to navigate the roles they take on, both consciously and unconsciously. Lebanese actress, playwright, and director Hanane Hajj Ali’s dark yet comedic one-woman show challenges stereotypes and preconceived notions that affect women in the Middle East and beyond.

TDR/The Drama ReviewVol. 68(4)
Gender equality
Openalex Percentile: Top 64%
Middle East Politics and Society
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Reactivating <i>Medea</i> in Hanane Hajj Ali’s <i>Jogging</i> — Marina Johnson · TDR/The Drama Review (2024) | TGRS Research Map | TGRS