Hold That Gaze

How do you create a dance of self-defense? Brazilian choreographers Davi Pontes and Wallace Ferreira try to answer this question by performing with, through, and despite racial objectifi cation. Against the backdrop of Jair Bolsonaro’s election in Brazil, the artists challenge the audience’s gaze by refusing the spectatorial demand that expects mastery and predictability—a demand often linked to racist, sexist, and colonial frameworks.

Authors

Publication Details

Journal
TDR/The Drama Review
Published
2024-12-01
DOI
https://doi.org/10.1017/s1054204324000352
Primary Topic
Diversity and Impact of Dance
Type
article
Field-Weighted Citation Impact
0.00
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article

Hold That Gaze

Sílvia Cristina Franco Amaral
TDR/The Drama Review
Diversity and Impact of Dance
article

Hold That Gaze

Sílvia Cristina Franco Amaral
article en

Abstract

How do you create a dance of self-defense? Brazilian choreographers Davi Pontes and Wallace Ferreira try to answer this question by performing with, through, and despite racial objectifi cation. Against the backdrop of Jair Bolsonaro’s election in Brazil, the artists challenge the audience’s gaze by refusing the spectatorial demand that expects mastery and predictability—a demand often linked to racist, sexist, and colonial frameworks.

TDR/The Drama ReviewVol. 68(4)
Gender equality
Openalex Percentile: Top 72%
Diversity and Impact of Dance
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Hold That Gaze — Sílvia Cristina Franco Amaral · TDR/The Drama Review (2024) | TGRS Research Map | TGRS