A estética do niilismo: a construção do personagem-narrador em Memórias Do Subsolo

The present article aims to investigate the relationship between nihilism and the construction of the narrator-character in Fyodor Dostoevsky's Notes from Underground. To this end, it analyzes the nihilistic aesthetics within the work, highlighting how the author, by positioning himself as a subject of his own creation, employs nihilism both as an aesthetic device and as a target of criticism, while simultaneously striving to transcend it. In this context, the Russian author understands nihilism not only as a representation of the human condition, as described by Nietzsche, or as a historical phenomenon that affected 19th-century Russia, but also as a creative force and political power that shapes his literary production.

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Publication Details

Journal
RUS (São Paulo)
Published
2024-11-29
DOI
https://doi.org/10.11606/issn.2317-4765.rus.2024.226519
Primary Topic
Cultural, Media, and Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

A estética do niilismo: a construção do personagem-narrador em Memórias Do Subsolo

Douglas Fonseca Bonganhi
RUS (São Paulo)
Cultural, Media, and Literary Studies
article

A estética do niilismo: a construção do personagem-narrador em Memórias Do Subsolo

Douglas Fonseca Bonganhi
article en

Abstract

The present article aims to investigate the relationship between nihilism and the construction of the narrator-character in Fyodor Dostoevsky's Notes from Underground. To this end, it analyzes the nihilistic aesthetics within the work, highlighting how the author, by positioning himself as a subject of his own creation, employs nihilism both as an aesthetic device and as a target of criticism, while simultaneously striving to transcend it. In this context, the Russian author understands nihilism not only as a representation of the human condition, as described by Nietzsche, or as a historical phenomenon that affected 19th-century Russia, but also as a creative force and political power that shapes his literary production.

RUS (São Paulo)Vol. 15(27)
Universidad Americana (PY)
Openalex Percentile: Top 64%
Cultural, Media, and Literary Studies
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