Far beyond Carandiru
This text presents a historical and conceptual approach to the experiments in the field of performing arts pedagogy carried out in the Carandiru Complex starting in 1940. Drawing parallels with the philosophy of penal abolitionism, the text aims to update some reflections on theater, imprisonment, and abolitionism.
Authors
- Helena Bastos
- Murilo Moraes Gaulês (ORCID: https://orcid.org/0000-0002-7704-5229)
Publication Details
- Journal
- Ephemera.
- Published
- 2024-10-26
- DOI
- https://doi.org/10.70446/ephemera.v7i13.7660
- Primary Topic
- Arts and Performance Studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00