Czech-ing Shakespeare: Tracing Shakespeare’s Influence (not only) in Czech Advertisements

Shakespeare’s plays are indisputably among the most translated, staged, and adapted works for both theatre and screen. The texts undergo updating, recontextualization, and transcultural adaptation to engage audiences across different age groups, thereby facilitating their reception. This article explores Shakespeare’s position in modern popular culture. Initially, Shakespeare’s status in popular culture is discussed, drawing on the concepts of Graham Holderness (1988), Douglas Lanier (2002, 2006), and Marjorie Garber (2008). The article then examines selected popular Shakespearean representations, such as Richard Burt’s concept of “Schlockspeare” (2002), which focuses on the use of catchphrases, references, along with both textual and visual allusions to Shakespeare in advertising (e.g. mortgage loans from Commercial Bank, a Shakespeare-inspired yogurt, etc.). The objective is to demonstrate that popular culture serves to disseminate Shakespeare’s work without diminishing its inherent value, echoing Graham Holderness’s assertion that Shakespeare is, here, now, always, what is currently being made of him.”

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Publication Details

Journal
American & British Studies Annual
Published
2024-12-06
DOI
https://doi.org/10.46585/absa.2024.17.2578
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

Czech-ing Shakespeare: Tracing Shakespeare’s Influence (not only) in Czech Advertisements

Ivona Mišterová
American & British Studies Annual
Shakespeare, Adaptation, and Literary Criticism
article

Czech-ing Shakespeare: Tracing Shakespeare’s Influence (not only) in Czech Advertisements

Ivona Mišterová
article en

Abstract

Shakespeare’s plays are indisputably among the most translated, staged, and adapted works for both theatre and screen. The texts undergo updating, recontextualization, and transcultural adaptation to engage audiences across different age groups, thereby facilitating their reception. This article explores Shakespeare’s position in modern popular culture. Initially, Shakespeare’s status in popular culture is discussed, drawing on the concepts of Graham Holderness (1988), Douglas Lanier (2002, 2006), and Marjorie Garber (2008). The article then examines selected popular Shakespearean representations, such as Richard Burt’s concept of “Schlockspeare” (2002), which focuses on the use of catchphrases, references, along with both textual and visual allusions to Shakespeare in advertising (e.g. mortgage loans from Commercial Bank, a Shakespeare-inspired yogurt, etc.). The objective is to demonstrate that popular culture serves to disseminate Shakespeare’s work without diminishing its inherent value, echoing Graham Holderness’s assertion that Shakespeare is, here, now, always, what is currently being made of him.”

American & British Studies AnnualVol. 17
University of West Bohemia in Pilsen (CZ)
Openalex Percentile: Top 66%
Shakespeare, Adaptation, and Literary Criticism
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