Addressing Youth Delinquencies through Theatre: A Critical Study of Tor Iorapuu’s Had I Known

This article examines Tor Iorapuu’s Had I Known… through content analysis as a compelling example of Theatre for the Youth (TFY) and its ability to address real-life challenges faced by adolescents. The choice of the play is because it brings the struggles of Nigerian adolescents to life, tackling issues like juvenile delinquency, peer pressure, and the lack of open discussions about sex education. The play uses relatable stories and creative techniques, like flashbacks and puppetry, to tackle sensitive topics such as sex education, peer influence, and juvenile delinquency. By drawing from the lived experiences of young people, the play creates a safe space for open discussions about the struggles and pressures they face. It also highlights the importance of bridging the gap between youth and society, particularly when it comes to taboo topics like sexuality and family life. The findings of this article underscore how theatre can be a transformative tool for education and social change, inspiring not just young audiences but also parents, teachers, and policymakers to rethink how they engage with and support the younger generation.

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Publication Details

Journal
Journal of Global Research in Education and Social Science
Published
2024-12-06
DOI
https://doi.org/10.56557/jogress/2024/v18i48978
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Addressing Youth Delinquencies through Theatre: A Critical Study of Tor Iorapuu’s Had I Known

Tijime Justin Awuawuer, Oluwatoyin Toluwase Ogundeji
Journal of Global Research in Education and Social Science
Theatre and Performance Studies
article

Addressing Youth Delinquencies through Theatre: A Critical Study of Tor Iorapuu’s Had I Known

Tijime Justin Awuawuer, Oluwatoyin Toluwase Ogundeji
article en

Abstract

This article examines Tor Iorapuu’s Had I Known… through content analysis as a compelling example of Theatre for the Youth (TFY) and its ability to address real-life challenges faced by adolescents. The choice of the play is because it brings the struggles of Nigerian adolescents to life, tackling issues like juvenile delinquency, peer pressure, and the lack of open discussions about sex education. The play uses relatable stories and creative techniques, like flashbacks and puppetry, to tackle sensitive topics such as sex education, peer influence, and juvenile delinquency. By drawing from the lived experiences of young people, the play creates a safe space for open discussions about the struggles and pressures they face. It also highlights the importance of bridging the gap between youth and society, particularly when it comes to taboo topics like sexuality and family life. The findings of this article underscore how theatre can be a transformative tool for education and social change, inspiring not just young audiences but also parents, teachers, and policymakers to rethink how they engage with and support the younger generation.

Journal of Global Research in Education and Social ScienceVol. 18(4)
Obafemi Awolowo University (NG)
Openalex Percentile: Top 67%
Theatre and Performance Studies
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