“We were born to make a fairy tale come true...”: the estate world in G. Sh. Yakhinaʼs novel “My children”

Based on the material of G.Sh. Yakhinaʼs landmark novel “My Children” (2018), the article considers modifications of the “estatetopos” in the Russian literature of the 20th – early 21st century, among which are the connotations traditional for Russian classics (the estate as a paradise on earth and the territory of love and family; the estate as a heterotopia; the estate as a universal), qualities that arose in the literature of the Soviet period (the estate as a refuge; the former ownerʼs estate as a public domain; the estate as Kitezh; the estate as a locus of theurgic creativity), as well as the first identified variations (the estate as Noahʼs Ark; the estate as a Eurasian phenomenon; the estate as “Going into the Forest”). Special attention is paid to the Russian estate of the 20th century as a Eurasian phenomenon, the appearance of which in the novel is due to the role of the river Volga, which connects the destinies of several peoples: Russians, Germans, Tatars, “Kirghiz”, etc.; this opens up opportunities for understanding the estate as an element of an independent “Eurasian civilization”. Scientific novelty is also in considering such aspects of the universality of the “estatertopos” as the international character of the Grimm farm, the global universality of the estate phenomenon in the 20th century and an appeal to folklore (German fairy tales with their archetypal depth, equally inherent to the peoples of the East and West). In connection with the latter aspect, semantic and semiotic layers have been identified, dating back to the biography and work of I.V. Goethe, V.Ya. Propp. An important part of the study is the estate as a locus of creativity in a theurgic way relevant to the 20th century, which allows a deeper understanding of the nature of socialist realism in the USSR. Finally, based on the material of Russian and German literature of the 19th–21st centuries, the development of the innovative theme of the estate and the forest has begun. Thesaurus, contextual, mythopoetic and biographical methods were used. The conclusions of the article are obtained taking into account the already existing research results on the issues covered.

Authors

Institutions

Publication Details

Journal
Izvestiâ Rossijskoj akademii nauk. Seriâ literatury i âzyka
Published
2024-12-04
DOI
https://doi.org/10.31857/s1605788024050042
Citations
1
Primary Topic
Soviet and Russian History
Type
article
Field-Weighted Citation Impact
2.23
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

“We were born to make a fairy tale come true...”: the estate world in G. Sh. Yakhinaʼs novel “My children”

Olga A. Bogdanova
1 citations
Izvestiâ Rossijskoj akademii nauk. Seriâ literatury i âzyka
Soviet and Russian History
2.23
article

“We were born to make a fairy tale come true...”: the estate world in G. Sh. Yakhinaʼs novel “My children”

Olga A. Bogdanova
article en
1 citations

Abstract

Based on the material of G.Sh. Yakhinaʼs landmark novel “My Children” (2018), the article considers modifications of the “estatetopos” in the Russian literature of the 20th – early 21st century, among which are the connotations traditional for Russian classics (the estate as a paradise on earth and the territory of love and family; the estate as a heterotopia; the estate as a universal), qualities that arose in the literature of the Soviet period (the estate as a refuge; the former ownerʼs estate as a public domain; the estate as Kitezh; the estate as a locus of theurgic creativity), as well as the first identified variations (the estate as Noahʼs Ark; the estate as a Eurasian phenomenon; the estate as “Going into the Forest”). Special attention is paid to the Russian estate of the 20th century as a Eurasian phenomenon, the appearance of which in the novel is due to the role of the river Volga, which connects the destinies of several peoples: Russians, Germans, Tatars, “Kirghiz”, etc.; this opens up opportunities for understanding the estate as an element of an independent “Eurasian civilization”. Scientific novelty is also in considering such aspects of the universality of the “estatertopos” as the international character of the Grimm farm, the global universality of the estate phenomenon in the 20th century and an appeal to folklore (German fairy tales with their archetypal depth, equally inherent to the peoples of the East and West). In connection with the latter aspect, semantic and semiotic layers have been identified, dating back to the biography and work of I.V. Goethe, V.Ya. Propp. An important part of the study is the estate as a locus of creativity in a theurgic way relevant to the 20th century, which allows a deeper understanding of the nature of socialist realism in the USSR. Finally, based on the material of Russian and German literature of the 19th–21st centuries, the development of the innovative theme of the estate and the forest has begun. Thesaurus, contextual, mythopoetic and biographical methods were used. The conclusions of the article are obtained taking into account the already existing research results on the issues covered.

Izvestiâ Rossijskoj akademii nauk. Seriâ literatury i âzykaVol. 83(5)
Russian Academy of Sciences (RU), Gorky Institute of World Literature (RU)
Openalex Percentile: Top 9%
Soviet and Russian History
2.23
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.