Sola voce triumphat: Festivities for the Beatification of Ignatius of Loyola in Goa in 1610

Abstract A rare manuscript kept in Torre do Tombo (Lisbon, Portugal) preserves the memory of several celebrations of the beatification of Ignatius of Loyola, which took place around the realms of the Spanish Habsburgs in 1609–11. Among these, there is the account of those organized in Goa in 1610, whose narrative reveals the cultural hybridization of European and Indian influences, in a nod to the local population to make readable the Jesuit message to a wider audience. Such Indian influences also reflected the origin of the craftsmen employed in constructing vehicles, decorations, and machines, whose cultural background conditioned the final result. The Jesuit narrative, however, depicted Indians either as props (used in procession for their exoticism) or as bystanders (as no one is individualized in the narrative, except key official figures invited by the Society to participate in the celebration).

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Publication Details

Journal
Journal of Jesuit Studies
Published
2024-11-27
DOI
https://doi.org/10.1163/22141332-11040007
Primary Topic
Colonialism, slavery, and trade
Type
article
Field-Weighted Citation Impact
0.00
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article

Sola voce triumphat: Festivities for the Beatification of Ignatius of Loyola in Goa in 1610

João Teles e Cunha, Maria João Pereira Coutinho
Journal of Jesuit Studies
Colonialism, slavery, and trade
article

Sola voce triumphat: Festivities for the Beatification of Ignatius of Loyola in Goa in 1610

João Teles e Cunha, Maria João Pereira Coutinho
article en

Abstract

Abstract A rare manuscript kept in Torre do Tombo (Lisbon, Portugal) preserves the memory of several celebrations of the beatification of Ignatius of Loyola, which took place around the realms of the Spanish Habsburgs in 1609–11. Among these, there is the account of those organized in Goa in 1610, whose narrative reveals the cultural hybridization of European and Indian influences, in a nod to the local population to make readable the Jesuit message to a wider audience. Such Indian influences also reflected the origin of the craftsmen employed in constructing vehicles, decorations, and machines, whose cultural background conditioned the final result. The Jesuit narrative, however, depicted Indians either as props (used in procession for their exoticism) or as bystanders (as no one is individualized in the narrative, except key official figures invited by the Society to participate in the celebration).

Journal of Jesuit StudiesVol. 11(4)
University of Lisbon (PT), Universidade Nova de Lisboa (PT)
Openalex Percentile: Top 68%
Colonialism, slavery, and trade
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