Rehearsal for Deep Song

Rehearsal for Deep Song recreates Martha Graham’s choreographic piece Deep Song , the last dance that she, as a mother of Modern Dance, performed alone in 1937 in response to the Spanish Civil War startling pictures of the performance reached the United States at the time, through different media. This project focuses on the analytical study, through pictorial mimesis, of the sequence of movements proposed by Graham in her choreography in order to deal with the Spanish conflict. Working with oil paint on long strips of canvas designed and prepared to represent sequences of movement in an exercise close to stop-motion, it develops a creative process based on an expanded concept of the idea of historical frieze. Its aim is not only to learn other ways to cope with the images of violence that news and social media are able to expose us to today but also to contribute to the renewal of the genre of historical painting through a working methodology that emphasizes the power of recreation (re-enactment) of the pictorial medium rather than restricting it to the mere realm of representation. Graham entitled her dance in reference to Federico García Lorca’s poem ‘Poema del Cante Jondo’ published in Madrid in 1931 and translated into English as ‘Poem of Deep Song’.

Authors

Institutions

Publication Details

Journal
Journal of Contemporary Painting
Published
2024-10-01
DOI
https://doi.org/10.1386/jcp_00069_1
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Rehearsal for Deep Song

Lola Lasurt
Journal of Contemporary Painting
Diverse Musicological Studies
article

Rehearsal for Deep Song

Lola Lasurt
article en

Abstract

Rehearsal for Deep Song recreates Martha Graham’s choreographic piece Deep Song , the last dance that she, as a mother of Modern Dance, performed alone in 1937 in response to the Spanish Civil War startling pictures of the performance reached the United States at the time, through different media. This project focuses on the analytical study, through pictorial mimesis, of the sequence of movements proposed by Graham in her choreography in order to deal with the Spanish conflict. Working with oil paint on long strips of canvas designed and prepared to represent sequences of movement in an exercise close to stop-motion, it develops a creative process based on an expanded concept of the idea of historical frieze. Its aim is not only to learn other ways to cope with the images of violence that news and social media are able to expose us to today but also to contribute to the renewal of the genre of historical painting through a working methodology that emphasizes the power of recreation (re-enactment) of the pictorial medium rather than restricting it to the mere realm of representation. Graham entitled her dance in reference to Federico García Lorca’s poem ‘Poema del Cante Jondo’ published in Madrid in 1931 and translated into English as ‘Poem of Deep Song’.

Journal of Contemporary PaintingVol. 10(1)
Universitat de Barcelona (ES)
Openalex Percentile: Top 72%
Diverse Musicological Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Rehearsal for Deep Song — Lola Lasurt · Journal of Contemporary Painting (2024) | TGRS Research Map | TGRS