Activating dissident memories: Video as a tool for resistance in Agustina Comedi’s Playback

This article examines how the short documentary Playback: Ensayo de una despedida repurposes archival videos of the underground queer scene in Argentina’s nascent democracy in the late 1980s. Video is used as a tool for documenting queer histories, resisting erasure and reimagining the past. By blending archival footage with fictional elements, I argue that Playback highlights the affective dimensions of queer memory and the power of friendship in sustaining emotional truths and also demonstrates how video archives can be mobilized for resistance and resilience.

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Publication Details

Journal
Short Film Studies
Published
2024-10-01
DOI
https://doi.org/10.1386/sfs_00121_1
Primary Topic
Italian Fascism and Post-war Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Activating dissident memories: Video as a tool for resistance in Agustina Comedi’s Playback

Vladimir Rosas-Salazar
Short Film Studies
Italian Fascism and Post-war Society
article

Activating dissident memories: Video as a tool for resistance in Agustina Comedi’s Playback

Vladimir Rosas-Salazar
article en

Abstract

This article examines how the short documentary Playback: Ensayo de una despedida repurposes archival videos of the underground queer scene in Argentina’s nascent democracy in the late 1980s. Video is used as a tool for documenting queer histories, resisting erasure and reimagining the past. By blending archival footage with fictional elements, I argue that Playback highlights the affective dimensions of queer memory and the power of friendship in sustaining emotional truths and also demonstrates how video archives can be mobilized for resistance and resilience.

Short Film StudiesVol. 14(2)
University of Warwick (GB)
Openalex Percentile: Top 65%
Italian Fascism and Post-war Society
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