From Havoc in Heaven to Big Fish and Begonia: The Fusion of Tradition and Modernity in Chinese Animation

Chinese animation has experienced the evolution from tradition to modernity in its development course. As a classic animation work, "Havoc in Heaven" has laid the foundation of Chinese animation. Its rich cultural connotation and unique artistic style make it become a representative of national animation. And "Big Fish & Begonia" is a successful attempt of modern animation, reflecting the progress of contemporary animation production technology and narrative techniques. This paper will discuss how these two works integrate the expression form and narrative skills of modern animation under the framework of Chinese traditional culture, and show the balance between inheritance and innovation of Chinese animation.

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Publication Details

Journal
International Journal of Religion
Published
2024-12-03
DOI
https://doi.org/10.61707/j7pyd786
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.00
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article

From Havoc in Heaven to Big Fish and Begonia: The Fusion of Tradition and Modernity in Chinese Animation

Xinyi Huang, Ahmad Kamal Basyah Sallehuddin, Abdul Razak Mohaideen
International Journal of Religion
Digital Media and Visual Art
article

From Havoc in Heaven to Big Fish and Begonia: The Fusion of Tradition and Modernity in Chinese Animation

Xinyi Huang, Ahmad Kamal Basyah Sallehuddin, Abdul Razak Mohaideen
article en

Abstract

Chinese animation has experienced the evolution from tradition to modernity in its development course. As a classic animation work, "Havoc in Heaven" has laid the foundation of Chinese animation. Its rich cultural connotation and unique artistic style make it become a representative of national animation. And "Big Fish & Begonia" is a successful attempt of modern animation, reflecting the progress of contemporary animation production technology and narrative techniques. This paper will discuss how these two works integrate the expression form and narrative skills of modern animation under the framework of Chinese traditional culture, and show the balance between inheritance and innovation of Chinese animation.

International Journal of ReligionVol. 5(12)
Universiti Teknologi MARA (MY)
Openalex Percentile: Top 56%
Digital Media and Visual Art
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