Social Construct of Nollywood Films and Ethnocentrism in Southern Nigeria

In this paper, the study engages the post nationality of Nollywood, which is manifest in its traveling patterns and its transgression of cartographic boundaries to engage diasporic communities around the world. Of particular interest of the study are how Nollywood has emerged as the third biggest film industry in the world, after Hollywood and Bollywood, from its humble Nigerian beginnings and how this post national character has been acquired and sustained.

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Publication Details

Journal
CINEJ Cinema Journal
Published
2024-12-03
DOI
https://doi.org/10.5195/cinej.2024.632
Citations
4
Primary Topic
African history and culture studies
Type
article
Field-Weighted Citation Impact
14.88
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article

Social Construct of Nollywood Films and Ethnocentrism in Southern Nigeria

Dike Harcourt Whyte, Perpetua Ogechi Vitalis, Richard N. Amadi
4 citations
CINEJ Cinema Journal
African history and culture studies
14.88
article

Social Construct of Nollywood Films and Ethnocentrism in Southern Nigeria

Dike Harcourt Whyte, Perpetua Ogechi Vitalis, Richard N. Amadi
article en
4 citations

Abstract

In this paper, the study engages the post nationality of Nollywood, which is manifest in its traveling patterns and its transgression of cartographic boundaries to engage diasporic communities around the world. Of particular interest of the study are how Nollywood has emerged as the third biggest film industry in the world, after Hollywood and Bollywood, from its humble Nigerian beginnings and how this post national character has been acquired and sustained.

CINEJ Cinema JournalVol. 12(2)
Rivers State University (NG)
Reduced inequalities
Openalex Percentile: Top 1%
African history and culture studies
14.88
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