TRANSFORMATION OF THE IMAGE OF FAMILY IN THE VISUAL CULTURE OF KAZAKHSTAN

This study examines the portrayal of family in Kazakhstan's visual culture, tracing its evolution from traditional to contemporary depictions against a backdrop of socio-political changes. The study establishes why the image of family was marginalized in the Soviet period and has had such an explosive development in contemporary art. The focus of the research is placed on the nuclear family and the interpretation of the theme of family in photography, painting and contemporary art in the Republic of Kazakhstan. The purpose of the study is to investigate the transformation of the portrayal of family in the transitional period of socio-political changes. To achieve this goal, the comparative-historical method is employed to analyze artworks from the funds of the A. Kasteyev State Museum of Arts and the works of contemporary Kazakh artists over the past 5 years. Findings indicate a re-engagement with pre-Soviet cultural roots juxtaposed against the backdrop of modernity and globalization. The conclusion posits that these changing representations not only reflect the ongoing connection between past and present in Kazakh society but also contribute to a broader understanding of cultural identity and familial concepts, suggesting a dynamic interplay between adherence to tradition and adaptation to contemporary realities.

Authors

Publication Details

Journal
New Design Ideas
Published
2024-12-03
DOI
https://doi.org/10.62476/ndi83697
Primary Topic
Digital Media and Visual Art
Type
article
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0.00
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article

TRANSFORMATION OF THE IMAGE OF FAMILY IN THE VISUAL CULTURE OF KAZAKHSTAN

Moldir Kelsinbek
New Design Ideas
Digital Media and Visual Art
article

TRANSFORMATION OF THE IMAGE OF FAMILY IN THE VISUAL CULTURE OF KAZAKHSTAN

Moldir Kelsinbek
article en

Abstract

This study examines the portrayal of family in Kazakhstan's visual culture, tracing its evolution from traditional to contemporary depictions against a backdrop of socio-political changes. The study establishes why the image of family was marginalized in the Soviet period and has had such an explosive development in contemporary art. The focus of the research is placed on the nuclear family and the interpretation of the theme of family in photography, painting and contemporary art in the Republic of Kazakhstan. The purpose of the study is to investigate the transformation of the portrayal of family in the transitional period of socio-political changes. To achieve this goal, the comparative-historical method is employed to analyze artworks from the funds of the A. Kasteyev State Museum of Arts and the works of contemporary Kazakh artists over the past 5 years. Findings indicate a re-engagement with pre-Soviet cultural roots juxtaposed against the backdrop of modernity and globalization. The conclusion posits that these changing representations not only reflect the ongoing connection between past and present in Kazakh society but also contribute to a broader understanding of cultural identity and familial concepts, suggesting a dynamic interplay between adherence to tradition and adaptation to contemporary realities.

New Design IdeasVol. 8(3)
Reduced inequalities
Openalex Percentile: Top 57%
Digital Media and Visual Art
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TRANSFORMATION OF THE IMAGE OF FAMILY IN THE VISUAL CULTURE OF KAZAKHSTAN — Moldir Kelsinbek · New Design Ideas (2024) | TGRS Research Map | TGRS