When Tradition Inspires Modernity

The research article sets out to unveil the challenge of preserving traditional design concepts within contemporary spaces. Its objectives are to examine how Acholi material culture items inspire functional and aesthetic concepts in modern interiors, explore methods to incorporate traditional pottery in contemporary spaces, and create prototype pots that integrate Acholi design elements. It sets out on the premise that blending traditional artefacts with modern interiors fosters cultural identity and pride among space owners and enhances visitors' appreciation. Its methodological considerations are qualitative, using a parallel prototyping design, with two potters and five culturally knowledgeable elders selected for insights. The research is theoretically informed by the concepts of cultural identity and preservation within modern aesthetics. Its key findings reveal that traditional material culture enriches product design, creates a sense of ownership, and fosters community pride, while also generating income for artisans. Furthermore, the use of traditional designs supports cultural continuity by exposing younger generations to their heritage. It recommends incorporating indigenous knowledge and practices to create spaces that are distinctive and culturally communicative, enhancing modern living while celebrating traditional values.

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Publication Details

Journal
Jumuga Journal of Education Oral Studies and Human Sciences (JJEOSHS)
Published
2024-12-01
DOI
https://doi.org/10.35544/jjeoshs.v7i2.102
Citations
2
Primary Topic
Cultural Heritage Management and Preservation
Type
article
Field-Weighted Citation Impact
5.85
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article

When Tradition Inspires Modernity

Emmanuel Mutungi, Pendo Bigambo, Sanday Rhodest Adong
2 citations
Jumuga Journal of Education Oral Studies and Human Sciences (JJEOSHS)
Cultural Heritage Management and Preservation
5.85
article

When Tradition Inspires Modernity

Emmanuel Mutungi, Pendo Bigambo, Sanday Rhodest Adong
article en
2 citations

Abstract

The research article sets out to unveil the challenge of preserving traditional design concepts within contemporary spaces. Its objectives are to examine how Acholi material culture items inspire functional and aesthetic concepts in modern interiors, explore methods to incorporate traditional pottery in contemporary spaces, and create prototype pots that integrate Acholi design elements. It sets out on the premise that blending traditional artefacts with modern interiors fosters cultural identity and pride among space owners and enhances visitors' appreciation. Its methodological considerations are qualitative, using a parallel prototyping design, with two potters and five culturally knowledgeable elders selected for insights. The research is theoretically informed by the concepts of cultural identity and preservation within modern aesthetics. Its key findings reveal that traditional material culture enriches product design, creates a sense of ownership, and fosters community pride, while also generating income for artisans. Furthermore, the use of traditional designs supports cultural continuity by exposing younger generations to their heritage. It recommends incorporating indigenous knowledge and practices to create spaces that are distinctive and culturally communicative, enhancing modern living while celebrating traditional values.

Jumuga Journal of Education Oral Studies and Human Sciences (JJEOSHS)Vol. 7(2)
University of Dar es Salaam (TZ), Kyambogo University (UG)
Openalex Percentile: Top 4%
Cultural Heritage Management and Preservation
5.85
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