Indiscernible Thresholds, Escaped Veillances at Art Museum

Curated by Dallas Fellini at the Art Museum at the University of Toronto, Indiscernible thresholds, escaped veillances featured works by Danielle Brathwaite-Shirley, Lucas LaRochelle, Joshua Schwebel, Chelsea Thompto, and Lan “Florence” Yee that explore the slippery and shrouded frameworks of illegibility, opacity, and invisibility. Through sculpture, photography, video, sound and performance, these artists challenge simplistic trans representation and trouble trans hypervisibility, turning toward the productive potentiality of opacity and archival illegibility. Taken together, their works explore invisibility as an act of self-protection and form of political agency for queer and trans individuals and connect the social and environmental demands for visibility.

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Publication Details

Journal
Public
Published
2024-10-01
DOI
https://doi.org/10.1386/public_00228_4
Citations
1
Primary Topic
Photography and Visual Culture
Type
article
Field-Weighted Citation Impact
10.36
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article

Indiscernible Thresholds, Escaped Veillances at Art Museum

Tyler Matheson
1 citations
Public
Photography and Visual Culture
10.36
article

Indiscernible Thresholds, Escaped Veillances at Art Museum

Tyler Matheson
article en
1 citations

Abstract

Curated by Dallas Fellini at the Art Museum at the University of Toronto, Indiscernible thresholds, escaped veillances featured works by Danielle Brathwaite-Shirley, Lucas LaRochelle, Joshua Schwebel, Chelsea Thompto, and Lan “Florence” Yee that explore the slippery and shrouded frameworks of illegibility, opacity, and invisibility. Through sculpture, photography, video, sound and performance, these artists challenge simplistic trans representation and trouble trans hypervisibility, turning toward the productive potentiality of opacity and archival illegibility. Taken together, their works explore invisibility as an act of self-protection and form of political agency for queer and trans individuals and connect the social and environmental demands for visibility.

PublicVol. 35(70)
McMaster University (CA)
Openalex Percentile: Top 2%
Photography and Visual Culture
10.36
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