Fogscapes: Notes on Fujiko Nakaya’s Sculptural Practice

This article focuses on renowned artist Fujiko Nakaya’s fog sculptures and the means by which they offer meditative considerations for place and embodied experience. Following Nakaya’s requirements for her first fog sculpture for Expo ’70 in Osaka, the article explores the artist’s practice via three main areas: visibility, tangibility and vulnerability.

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Public
Published
2024-10-01
DOI
https://doi.org/10.1386/public_00219_1
Primary Topic
Japanese History and Culture
Type
article
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article

Fogscapes: Notes on Fujiko Nakaya’s Sculptural Practice

Noa Bronstein
Public
Japanese History and Culture
article

Fogscapes: Notes on Fujiko Nakaya’s Sculptural Practice

Noa Bronstein
article en

Abstract

This article focuses on renowned artist Fujiko Nakaya’s fog sculptures and the means by which they offer meditative considerations for place and embodied experience. Following Nakaya’s requirements for her first fog sculpture for Expo ’70 in Osaka, the article explores the artist’s practice via three main areas: visibility, tangibility and vulnerability.

PublicVol. 35(70)
University of Toronto (CA)
Openalex Percentile: Top 65%
Japanese History and Culture
DOISourceOpenAlex
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Fogscapes: Notes on Fujiko Nakaya’s Sculptural Practice — Noa Bronstein · Public (2024) | TGRS Research Map | TGRS