Exploration of To the Wonder Transmedia Narrative

To The Wonder is a TV drama adapted from Li Juan's prose My Altay. It retains the literary charm of the original work while successfully constructing a unified and tense story world through cross-media narrative techniques. This approach not only demonstrates the infinite possibilities of adapting prose into film and TV drama but also provides valuable reference and inspiration for the cross-border integration of literature and visual media. This paper delves into how the drama achieves this innovative artistic goal across multiple levels, focusing on four dimensions: the creation of aesthetic space, the emotional linkage within the plot, the resonance of the group's spiritual core, and the audience's in-depth participation. By exploring these aspects, the paper offers new perspectives on film and television adaptations of prose, enriching the scope of application of cross-media narrative theory. Ultimately, this work contributes to the wider dissemination and inheritance of prose's literary value and cultural heritage in the future.

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Publication Details

Journal
Communications in Humanities Research
Published
2024-11-29
DOI
https://doi.org/10.54254/2753-7064/51/20242249
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.00
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article

Exploration of To the Wonder Transmedia Narrative

K Zhang
Communications in Humanities Research
Digital Media and Visual Art
article

Exploration of To the Wonder Transmedia Narrative

K Zhang
article en

Abstract

To The Wonder is a TV drama adapted from Li Juan's prose My Altay. It retains the literary charm of the original work while successfully constructing a unified and tense story world through cross-media narrative techniques. This approach not only demonstrates the infinite possibilities of adapting prose into film and TV drama but also provides valuable reference and inspiration for the cross-border integration of literature and visual media. This paper delves into how the drama achieves this innovative artistic goal across multiple levels, focusing on four dimensions: the creation of aesthetic space, the emotional linkage within the plot, the resonance of the group's spiritual core, and the audience's in-depth participation. By exploring these aspects, the paper offers new perspectives on film and television adaptations of prose, enriching the scope of application of cross-media narrative theory. Ultimately, this work contributes to the wider dissemination and inheritance of prose's literary value and cultural heritage in the future.

Communications in Humanities ResearchVol. 51(1)
Zhejiang Gongshang University (CN)
Openalex Percentile: Top 57%
Digital Media and Visual Art
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