The Museum on TikTok. An analysis of user-generated audiovisual production

This paper analyzes, from a multimodal approach, the audiovisual production (n=110) and the reactions (n=10,444) uploaded to TikTok by personals profiles and with the museums as the protagonist. The objective is to discover the image that users project of the institution. We start from the premise that the dialogue favored by social media is a reflection of the conception that they have of the museum, conveying in their comments the experiences lived and even the functions assigned to it. The data reveals a predisposition of young people towards free, participative proposals that result in them having a good time. Furthermore, we discover the support and suggestions of different influencer profiles and their community of followers for getting to know the museum.

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Publication Details

Journal
Historia y Comunicación Social
Published
2024-11-29
DOI
https://doi.org/10.5209/hics.98679
Citations
2
Primary Topic
Innovative Human-Technology Interaction
Type
article
Field-Weighted Citation Impact
0.74
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article

The Museum on TikTok. An analysis of user-generated audiovisual production

Larissa de Sá Santos, Raquel Martínez-Sanz
2 citations
Historia y Comunicación Social
Innovative Human-Technology Interaction
0.74
article

The Museum on TikTok. An analysis of user-generated audiovisual production

Larissa de Sá Santos, Raquel Martínez-Sanz
article en
2 citations

Abstract

This paper analyzes, from a multimodal approach, the audiovisual production (n=110) and the reactions (n=10,444) uploaded to TikTok by personals profiles and with the museums as the protagonist. The objective is to discover the image that users project of the institution. We start from the premise that the dialogue favored by social media is a reflection of the conception that they have of the museum, conveying in their comments the experiences lived and even the functions assigned to it. The data reveals a predisposition of young people towards free, participative proposals that result in them having a good time. Furthermore, we discover the support and suggestions of different influencer profiles and their community of followers for getting to know the museum.

Historia y Comunicación SocialVol. 29(2)
Universidad de Valladolid (ES), Universidad Complutense de Madrid (ES)
Reduced inequalities
Openalex Percentile: Top 26%
Innovative Human-Technology Interaction
0.74
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The Museum on TikTok. An analysis of user-generated audiovisual production — Larissa de Sá Santos, Raquel Martínez-Sanz · Historia y Comunicación Social (2024) | TGRS Research Map | TGRS