SHORT_CUTS: collective image making - as regenerative practices

WhyWe consider the urgencies and complexities of a triple transition (climate, digital, social) demand fundamentally new concepts and understandings of research and innovation facing increasingly complex societal challenges.They are sources of development and we see development as non-linear, sometimes contradicting and certainly interdependent processes requiring imagination, hybrid creations and creative experimentation.We approach these complexities through the lens of microcosms of everyday lives, situated in the rural in which a microcosm of complexity is "graspable," and we step into this complexity with film-methodologies in itself a microcosm of ways of organizing that we can also grasp and reconfigure into seamless ways of making (Lefebvre, 1991).We begin by co-creating spaces that relate to everyday lives, through shared filmmaking methodologies, situated in the context of the rural municipality of Genalguacil and with an initial small crew of people from KIT/ NTNU and LAB Genalguacil.