That's the understatement of the century: Understatement as a meta-rhetorical expression in the Corpus of American Soap Operas

This study explores the use of the meta-rethorical expression (MRE) understatement in the Corpus of American Soap Operas. The high frequency of the nominal form shows (fictional) speakers' and script-writers’ awareness of and active engagement with the rhetorical concept. There are a minority of self-directed (the speaker's own utterance) versus a majority of other-directed uses (somebody else's utterance). MRE comments are to a large extent realised by a restricted number of five patterns, and show a narrow range of common modifying collocates, both of which may show conventionalized usage. The function of the MREs is to mark the utterance targeted as semantically too weak and to imply or explicitly provide a stronger version of it. Thus they show a critical and challenging attitude vis-à-vis the target statement and, in the case of other-directed instances, the other speaker. • Prominent meta-rhetorical use of nominal understatement in American TV soaps. • The semantic effect is to upgrade/strengthen the target statement. • Overwhelmingly used to criticize the statements of other speakers. • There is overlap with the problematizing function of meta-illocutionary expressions.

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Publication Details

Journal
Journal of Pragmatics
Published
2024-11-28
DOI
https://doi.org/10.1016/j.pragma.2024.11.002
Citations
1
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
5.21
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article

That's the understatement of the century: Understatement as a meta-rhetorical expression in the Corpus of American Soap Operas

Claudia Claridge
1 citations
Journal of Pragmatics
Musicology and Musical Analysis
5.21
article

That's the understatement of the century: Understatement as a meta-rhetorical expression in the Corpus of American Soap Operas

Claudia Claridge
article en
1 citations

Abstract

This study explores the use of the meta-rethorical expression (MRE) understatement in the Corpus of American Soap Operas. The high frequency of the nominal form shows (fictional) speakers' and script-writers’ awareness of and active engagement with the rhetorical concept. There are a minority of self-directed (the speaker's own utterance) versus a majority of other-directed uses (somebody else's utterance). MRE comments are to a large extent realised by a restricted number of five patterns, and show a narrow range of common modifying collocates, both of which may show conventionalized usage. The function of the MREs is to mark the utterance targeted as semantically too weak and to imply or explicitly provide a stronger version of it. Thus they show a critical and challenging attitude vis-à-vis the target statement and, in the case of other-directed instances, the other speaker. • Prominent meta-rhetorical use of nominal understatement in American TV soaps. • The semantic effect is to upgrade/strengthen the target statement. • Overwhelmingly used to criticize the statements of other speakers. • There is overlap with the problematizing function of meta-illocutionary expressions.

Journal of PragmaticsVol. 235
University of Augsburg (DE)
Quality Education
Openalex Percentile: Top 5%
Musicology and Musical Analysis
5.21
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