Author’s position and problems in chris humphreys’s novel ,,Vlad: the last confession”

The article is devoted to the historical novel by Canadian prose writer, actor and playwright Chris Humphreys about Dracula. The novel is interesting because it is a historical novel by definition, that is, the author’s motivation to create a text is the interpretation of the image of the historical Dracula with almost no admixture of ideological, political, historical, philosophical, psychological ideas of the author himself. This story does not have an easily guessed end, it seems that the author himself does not know where the development of the plot may lead. Humphreys does not try to deny Dracula’s sins, even obviously invented and completely unbelievable, but creates circumstances, builds events in such a way that the hero’s act becomes justified, if not the only possible one.

Authors

Publication Details

Journal
Studia Universitatis Moldaviae Seria Ştiinţe Umanistice
Published
2024-10-01
DOI
https://doi.org/10.59295/sum4(184)2024_21
Primary Topic
Narrative Theory and Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Author’s position and problems in chris humphreys’s novel ,,Vlad: the last confession”

Oleg Talmazan
Studia Universitatis Moldaviae Seria Ştiinţe Umanistice
Narrative Theory and Analysis
article

Author’s position and problems in chris humphreys’s novel ,,Vlad: the last confession”

Oleg Talmazan
article en

Abstract

The article is devoted to the historical novel by Canadian prose writer, actor and playwright Chris Humphreys about Dracula. The novel is interesting because it is a historical novel by definition, that is, the author’s motivation to create a text is the interpretation of the image of the historical Dracula with almost no admixture of ideological, political, historical, philosophical, psychological ideas of the author himself. This story does not have an easily guessed end, it seems that the author himself does not know where the development of the plot may lead. Humphreys does not try to deny Dracula’s sins, even obviously invented and completely unbelievable, but creates circumstances, builds events in such a way that the hero’s act becomes justified, if not the only possible one.

Studia Universitatis Moldaviae Seria Ştiinţe Umanistice(4(184))
Openalex Percentile: Top 68%
Narrative Theory and Analysis
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