Landscape – More than a mode of perception: a critique of Hermann Schmitz’s conception of landscape

Landscapes are paradigm cases for a theory of atmospheres like that of Hermann Schmitz since there are several atmospheres which can be experienced in landscapes. Though, landscape is rather seldomly picked out explicitly as a central theme in Schmitz’s work. An exception, however, is his article Landscape as a Mode of Perception, in which he argues that something becomes a landscape not by belonging to so-called nature, but by a specific mode of perception. I will critically analyze his conception of landscape and argue that landscape is more than a mode of perception: the aspect of naturalness must also be given. Corporeal communication with vastness and, that is, excorporation (Ausleibung), is not enough to understand what is specificity of the landscape. The inclusion of the dimension of naturalness allows us furthermore to better understand one of the most important functions of landscape, namely recovery, and the often-associated transcendence of the subject-object-dichotomy.

Authors

Publication Details

Journal
Lebenswelt Aesthetics and philosophy of experience
Published
2024-11-26
DOI
https://doi.org/10.54103/2240-9599/27263
Citations
1
Primary Topic
Ecology, Conservation, and Geographical Studies
Type
article
Field-Weighted Citation Impact
0.69
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article

Landscape – More than a mode of perception: a critique of Hermann Schmitz’s conception of landscape

Kira Meyer
1 citations
Lebenswelt Aesthetics and philosophy of experience
Ecology, Conservation, and Geographical Studies
0.69
article

Landscape – More than a mode of perception: a critique of Hermann Schmitz’s conception of landscape

Kira Meyer
article en
1 citations

Abstract

Landscapes are paradigm cases for a theory of atmospheres like that of Hermann Schmitz since there are several atmospheres which can be experienced in landscapes. Though, landscape is rather seldomly picked out explicitly as a central theme in Schmitz’s work. An exception, however, is his article Landscape as a Mode of Perception, in which he argues that something becomes a landscape not by belonging to so-called nature, but by a specific mode of perception. I will critically analyze his conception of landscape and argue that landscape is more than a mode of perception: the aspect of naturalness must also be given. Corporeal communication with vastness and, that is, excorporation (Ausleibung), is not enough to understand what is specificity of the landscape. The inclusion of the dimension of naturalness allows us furthermore to better understand one of the most important functions of landscape, namely recovery, and the often-associated transcendence of the subject-object-dichotomy.

Lebenswelt Aesthetics and philosophy of experience(23)
Openalex Percentile: Top 24%
Ecology, Conservation, and Geographical Studies
0.69
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