“Blur the Preacher”: Media Remix and Digital Technocultural Practice in Pakistan”

Abstract This paper explores the transformative effect of remix practices on media production in Pakistan, focusing on the integration of Internet memes, Islamic religious sermons, and political speeches in novel cultural critiques. Using Critical Technocultural Discourse Analysis, it is observed that digital remix tools enable the incorporation of typically Islamically censured media elements, including Western electronic music samples, local controversial memes, and digitally available Muslim devotional content. These are creatively remixed into YouTube videos that often go viral, representing alternative Pakistani Muslim identities. The study argues that this negotiation generates a digital media environment open to sampling diverse media content, creating unprecedented meanings that challenge traditional regional media production norms. The values and meanings ascribed to these remixes are then analyzed, probing their influence on shaping audience perceptions. In conclusion, media remix is presented as a particular competency, acquired through participation in the constrained yet networked digital media environment of Pakistan.

Authors

Institutions

Publication Details

Journal
Journal of Religion Media and Digital Culture
Published
2024-11-21
DOI
https://doi.org/10.1163/21659214-bja10110
Citations
2
Primary Topic
Hong Kong and Taiwan Politics
Type
article
Field-Weighted Citation Impact
2.26
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

“Blur the Preacher”: Media Remix and Digital Technocultural Practice in Pakistan”

Hassan Asif
2 citations
Journal of Religion Media and Digital Culture
Hong Kong and Taiwan Politics
2.26
article

“Blur the Preacher”: Media Remix and Digital Technocultural Practice in Pakistan”

Hassan Asif
article en
2 citations

Abstract

Abstract This paper explores the transformative effect of remix practices on media production in Pakistan, focusing on the integration of Internet memes, Islamic religious sermons, and political speeches in novel cultural critiques. Using Critical Technocultural Discourse Analysis, it is observed that digital remix tools enable the incorporation of typically Islamically censured media elements, including Western electronic music samples, local controversial memes, and digitally available Muslim devotional content. These are creatively remixed into YouTube videos that often go viral, representing alternative Pakistani Muslim identities. The study argues that this negotiation generates a digital media environment open to sampling diverse media content, creating unprecedented meanings that challenge traditional regional media production norms. The values and meanings ascribed to these remixes are then analyzed, probing their influence on shaping audience perceptions. In conclusion, media remix is presented as a particular competency, acquired through participation in the constrained yet networked digital media environment of Pakistan.

Journal of Religion Media and Digital CultureVol. 13(3)
University of Toronto (CA)
Peace, Justice and strong institutions
Openalex Percentile: Top 9%
Hong Kong and Taiwan Politics
2.26
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

“Blur the Preacher”: Media Remix and Digital Technocultural Practice in Pakistan” — Hassan Asif · Journal of Religion Media and Digital Culture (2024) | TGRS Research Map | TGRS