Melodic contour supersedes short-term statistical learning in expressive accentuation

Sensory systems are permanently bombarded with complex stimuli. Cognitive processing of such complex stimuli may be facilitated by accentuation of important elements. In the case of music listening, alteration of some surface features -such as volume and duration- may facilitate the cognitive processing of otherwise high-level information, such as melody and harmony. Hence, musical accents are often aligned with intrinsically salient elements in the stimuli, such as highly unexpected notes. We developed a novel listening paradigm based on an artificial Markov-chain melodic grammar to probe the hypothesis that listeners prefer structurally salient events to be consistent with salient surface properties such as musical accents. We manipulated two types of structural saliency: one driven by Gestalt principles (a note at the peak of a melodic contour) and one driven by statistical learning (a note with high surprisal, or information content [IC], as defined by the artificial melodic grammar). Results suggest that for all listeners, the aesthetic preferences in terms of surface properties are well predicted by Gestalt principles of melodic shape. In contrast, despite demonstrating good knowledge of novel statistical properties of the melodies, participants did not demonstrate a preference for accentuation of high-IC notes. This work is a first step in elucidating the interplay between intrinsic, Gestalt-like and acquired, statistical properties of melodies in the development of expressive musical properties, with a focus on the appreciation of dynamic accents (i.e. a transient increase in volume). Our results shed light on the implementation of domain-general and domain-specific principles of information processing during music listening.

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Publication Details

Journal
PLoS ONE
Published
2024-11-25
DOI
https://doi.org/10.1371/journal.pone.0312883
Citations
1
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.34

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article

Melodic contour supersedes short-term statistical learning in expressive accentuation

Claire Pelofi, Laurent Bonnasse‐Gahot, Haiqin Zhang, Emmanuel Chemla
1 citations
PLoS ONE
Neuroscience and Music Perception
0.34
article

Melodic contour supersedes short-term statistical learning in expressive accentuation

Claire Pelofi, Laurent Bonnasse‐Gahot, Haiqin Zhang, Emmanuel Chemla
article en
1 citations

Abstract

Sensory systems are permanently bombarded with complex stimuli. Cognitive processing of such complex stimuli may be facilitated by accentuation of important elements. In the case of music listening, alteration of some surface features -such as volume and duration- may facilitate the cognitive processing of otherwise high-level information, such as melody and harmony. Hence, musical accents are often aligned with intrinsically salient elements in the stimuli, such as highly unexpected notes. We developed a novel listening paradigm based on an artificial Markov-chain melodic grammar to probe the hypothesis that listeners prefer structurally salient events to be consistent with salient surface properties such as musical accents. We manipulated two types of structural saliency: one driven by Gestalt principles (a note at the peak of a melodic contour) and one driven by statistical learning (a note with high surprisal, or information content [IC], as defined by the artificial melodic grammar). Results suggest that for all listeners, the aesthetic preferences in terms of surface properties are well predicted by Gestalt principles of melodic shape. In contrast, despite demonstrating good knowledge of novel statistical properties of the melodies, participants did not demonstrate a preference for accentuation of high-IC notes. This work is a first step in elucidating the interplay between intrinsic, Gestalt-like and acquired, statistical properties of melodies in the development of expressive musical properties, with a focus on the appreciation of dynamic accents (i.e. a transient increase in volume). Our results shed light on the implementation of domain-general and domain-specific principles of information processing during music listening.

PLoS ONEVol. 19(11)
Centre National de la Recherche Scientifique (FR), Centre d'Analyse et de Mathématique Sociales (FR), Laboratoire de Sciences Cognitives et Psycholinguistique (FR), New York University (US)
Agence Nationale de la Recherche
Quality Education
Openalex Percentile: Top 39%
Neuroscience and Music Perception
0.34
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