Design process of the Memorial Cathedral for World Peace (1954), Hiroshima, by Togo Murano (Part 4): Formal manipulations observed in the process of working design and construction instruction of the cathedral (1948–1954)

Abstract Following schematic design in November 1948, the design effort continued through working design (detailed design prepared for construction work), which was completed in June 1950, and subsequent detailed construction instruction design. These phases included dome installation over the sanctuary, crypt redesign, window design, and tower design, all of which are impressive manifestations seen in the built work. This paper depicts the architect's creative and strategic design thinking during these phases by analyzing formal manipulations observed in sketches and drawings created until just before the cathedral's dedication on August 6, 1954.

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Publication Details

Journal
Japan Architectural Review
Published
2024-11-24
DOI
https://doi.org/10.1002/2475-8876.70011
Primary Topic
Political and Social Issues
Type
article
Field-Weighted Citation Impact
0.00

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article

Design process of the Memorial Cathedral for World Peace (1954), Hiroshima, by Togo Murano (Part 4): Formal manipulations observed in the process of working design and construction instruction of the cathedral (1948–1954)

Chikako Tabata, Yoshito TOMIOKA
1 links
Japan Architectural Review
Political and Social Issues
article

Design process of the Memorial Cathedral for World Peace (1954), Hiroshima, by Togo Murano (Part 4): Formal manipulations observed in the process of working design and construction instruction of the cathedral (1948–1954)

Chikako Tabata, Yoshito TOMIOKA
article en

Abstract

Abstract Following schematic design in November 1948, the design effort continued through working design (detailed design prepared for construction work), which was completed in June 1950, and subsequent detailed construction instruction design. These phases included dome installation over the sanctuary, crypt redesign, window design, and tower design, all of which are impressive manifestations seen in the built work. This paper depicts the architect's creative and strategic design thinking during these phases by analyzing formal manipulations observed in sketches and drawings created until just before the cathedral's dedication on August 6, 1954.

Japan Architectural ReviewVol. 8(1)
Mie University (JP)
Japan Society for the Promotion of Science
Openalex Percentile: Top 66%
Political and Social Issues
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