The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement

This article explores the often-overlooked role of professional songwriters in popular music, who occupy the spectrum between craftspeople and artists. Drawing on seventeen episodes of the Sodajerker podcast featuring songwriters who write for and with popular artists, we outline the role of professional songwriters in the popular music industry and how collaboration between songwriters and artists shapes and refines songs. On this basis, we propose a five-tiered spectrum of artist-songwriter involvement, ranging from independent songwriting by professionals without a specific artist brief to scenarios where artists are mostly self-sufficient but receive musical or psychological support from co-writers as needed.

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Institutions

Publication Details

Journal
Popular Music & Society
Published
2024-11-23
DOI
https://doi.org/10.1080/03007766.2024.2428035
Citations
2
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
10.42

Funders

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article

The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement

Katherine Williams, Jan-Peter Herbst, Simon Barber, Ingrid M. Tolstad
2 citations
Popular Music & Society
Music History and Culture
10.42
article

The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement

Katherine Williams, Jan-Peter Herbst, Simon Barber, Ingrid M. Tolstad
article en
2 citations

Abstract

This article explores the often-overlooked role of professional songwriters in popular music, who occupy the spectrum between craftspeople and artists. Drawing on seventeen episodes of the Sodajerker podcast featuring songwriters who write for and with popular artists, we outline the role of professional songwriters in the popular music industry and how collaboration between songwriters and artists shapes and refines songs. On this basis, we propose a five-tiered spectrum of artist-songwriter involvement, ranging from independent songwriting by professionals without a specific artist brief to scenarios where artists are mostly self-sufficient but receive musical or psychological support from co-writers as needed.

Popular Music & SocietyVol. 48(1)
Birmingham City University (GB), University of Huddersfield (GB), Metropolitan University (BD)
Arts and Humanities Research Council
Openalex Percentile: Top 2%
Music History and Culture
10.42
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