Counter-representations in an Australian web drama: trans-Pacific repertoire and diasporic contradictions in <i>No Ordinary Love</i>

Abstract No Ordinary Love is a web drama written by Esther Fwati, a Zambian Australian actor-writer, and her friend, Helen Kim, a Korean Australian writer-director. The five-episode web drama, which claims to be “inspired” by Korean television, positions a diasporic story of multiracial, inter-diasporic love between a Zambian Australian woman and a Korean Australian man. Despite its short length, the web drama’s counter-representational choices weave together global media flows and diasporic interpretations of race and family in multicultural Australia. I argue that the show’s explicit counter-representational centering of a Black woman and an Asian man subverts gendered racialization, and its assertion of diasporic communities as commonplace disrupts ideas of Australia as White and Anglophone. However, its representation of immigrant family conflict displaces racism onto the immigrant mother that stands in contrast to Australia as a multicultural nation that is progressive in its acceptance of difference.

Authors

Institutions

Publication Details

Journal
Communication Culture and Critique
Published
2024-11-23
DOI
https://doi.org/10.1093/ccc/tcae046
Primary Topic
Media Studies and Communication
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Counter-representations in an Australian web drama: trans-Pacific repertoire and diasporic contradictions in No Ordinary Love

David C. Oh
Communication Culture and Critique
Media Studies and Communication
article

Counter-representations in an Australian web drama: trans-Pacific repertoire and diasporic contradictions in No Ordinary Love

David C. Oh
article en

Abstract

Abstract No Ordinary Love is a web drama written by Esther Fwati, a Zambian Australian actor-writer, and her friend, Helen Kim, a Korean Australian writer-director. The five-episode web drama, which claims to be “inspired” by Korean television, positions a diasporic story of multiracial, inter-diasporic love between a Zambian Australian woman and a Korean Australian man. Despite its short length, the web drama’s counter-representational choices weave together global media flows and diasporic interpretations of race and family in multicultural Australia. I argue that the show’s explicit counter-representational centering of a Black woman and an Asian man subverts gendered racialization, and its assertion of diasporic communities as commonplace disrupts ideas of Australia as White and Anglophone. However, its representation of immigrant family conflict displaces racism onto the immigrant mother that stands in contrast to Australia as a multicultural nation that is progressive in its acceptance of difference.

Communication Culture and Critique
Syracuse University (US)
Openalex Percentile: Top 72%
Media Studies and Communication
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Counter-representations in an Australian web drama: trans-Pacific repertoire and diasporic contradictions in <i>No Ordinary Love</i> — David C. Oh · Communication Culture and Critique (2024) | TGRS Research Map | TGRS